tirto.id - Film The Maze Runner: The Scorch Trials produksi 20th Century Fox tahun 2015, bila tak ada perubahan jadwal bakal ditayangkan stasiun televisi Global TV pada Minggu (30/06/19) pukul 21.30 WIB. Sinopsis Film ini berkisah tentang para remaja yang berusaha keluar dari labirin misterius. Salah satu remaja, Thomas (Dylan O’Brien) berhasil keluar dari labirin berbahaya bersama para Glader (sebutan untuk penghuni camp). Para Glader yang dahulu satu camp bersama Thomas juga berhasil lolos dan berkumpul kembali. Mereka yang selamat yaitu Newt (Thomas Sangster), Teresa (Kaya Scodelario), Minho (Ki Hong Lee), Winston (Alexander Flores) dan Frypan (Dexter Darden). Ingatan yang dahulu hilang di camp juga sudah kembali. Camp yang mereka huni sebelumnya merupakan tempat percobaan dari organisasi Wicked. Para remaja yang datang entah dari mana dan berada kondisi tidak ingat apapun kecuali nama. Mereka harus hidup dengan bekerja. Bagi yang ingin keluar camp, mereka harus berjuang memecahkan teka-teki labirin yang dijaga binatang buas. Setelah keluar dari labirin, Kepala camp mengatakan bahwa mereka akan dibawa ke tempat yang aman. Namun mereka masih perlu melewati tempat yang lebih berbahaya dari labirin bernama Scorch. Tempat tersebut seperti padang pasir dengan berbagai rintangan seperti bola baja dan zombi haus darah. Setiap hari juga ada satu anak yang dipilih. Menurut pihak camp, bagi yang terpilih akan mendapat kehidupan baru. Pada suatu malam, Teresa menghilang. Sebagai gantinya, datang anak lelaki bernama Aris (Jacob Lofland). Dia mengaku dari Tim Glader B yang menjalankan misi yang sama dengan kelompok Thomas. Seiring berjalannya waktu, Thomas dan Aris menemukan hal yang mengejutkan. Anak yang dipilih setiap hari tidak menjalani kehidupan baru, namun ada hal lain yang justru mengkhawatirkan mereka. Para remaja tersebut berusaha menyelamatkan diri dan membongkar tujuan dari Wicked. Mereka harus berjalan beriringan dan secepatnya. Apabila gagal, nyawa mereka menjadi bayarannya. Film karya sutradara Wes Ball serta penulis T.S. Nowlin ini tayang perdana pada 18 September 2015 dengan durasi 120 menit. Selama penayangannya empat tahun silam, Box Office Mojo mencatat pendapatan film ini lebih dari 312 juta dolar Amerika Serikat (AS). Sejumlah 230 juta dolar AS di antaranya berasal dari penayangan secara internasional.
Penulis: Sirojul Khafid Editor: Agung DH Kontributor: Sirojul Khafid
Sinopsis Cinta Suci di SCTV Hari Ini Minggu 30 Juni 2019 Jam 19.45 WIB, Live Streaming Malam Ini
TRIBUNSTYLE.COM - Sinopsis Cinta Suci di SCTV Hari Ini Minggu 30 Juni 2019 Jam 19.45 WIB, Live Streaming Malam Ini, Wahida tak mau menyerahkan anak Suci pada Suci dan Marcel!
Baca sinopsis sinetron Cinta Suci yang tayang hari ini, Minggu 30 Juni 2019 pukul 19.45 WIB di SCTV.
Cerita Cinta Suci episode Minggu 30 Juni 2019 semakin menggigit nih!
Cinta Suci adalah sinetron yang sudah populer di kalangan penonton terutama fans Irish Bella dan Ammar Zoni!\
• Sinopsis The 5th Wave Hari Ini Minggu 30 Juni 2019 Trans TV 21.00 WIB, Live Streaming Malam Ini
Kisah cinta mereka yang penuh tantangan membuat sinetron ini kerap ditunggu fans mereka.
Yuk simak Sinopsis Cinta Suci SCTV hari ini, Minggu 30 Juni 2019 pukul 19.45 WIB!
Sinopsis Cinta Suci mengisahkan kisah cinta antara Suci (Irish Bella) dan Marcel (Ammar Zoni).
• Sinopsis Maze Runner: The Scorch Trials Hari Ini Minggu 30 Juni 2019 GTV 21.00 WIB, & Live Streaming
Suci pernah menikah dengan Aditya (Jonas Rivanno) dan memiliki anak.
Sinopsis Cinta Buta di SCTV Hari Ini Minggu 30 Juni 2019 Jam 18.25 WIB, Live Streaming Malam Ini
TRIBUNSTYLE.COM - Sinopsis Cinta Buta di SCTV Hari Ini Minggu 30 Juni 2019 Jam 18.25 WIB, Live Streaming Malam Ini, paparazzi diam-diam mengambil foto Aslan dan Krista!
Baca sinopsis sinetron Cinta Buta yang tayang hari ini, Minggu 30 Juni 2019 pukul 18.25 WIB di SCTV .
Sinopsis Cinta Buta, Minggu 30 Juni 2019 di SCTV semakin bikin menggigit nih!
Cinta Buta adalah sinetron yang dibintangi oleh Nikita Willy, Rezky Aditya, dan juga Rangga Azof.
• Sinopsis The 5th Wave Hari Ini Minggu 30 Juni 2019 Trans TV 21.00 WIB, Live Streaming Malam Ini
Kisah cinta segitiga mereka membuat sinetron Cinta Buta menjadi tontonan yang digemari penonton.
Sinopsis sinetron Cinta Buta menceritakan seorang gadis yang bernama Aulia.
Aulia adalah gadis buta yang meski tak dapat melihat, Aulia tetap menjadi orang baik dan pantang menyerah.
• Sinopsis Maze Runner: The Scorch Trials Hari Ini Minggu 30 Juni 2019 GTV 21.00 WIB, & Live Streaming
Karena sifatnya itu, Aulia membuat seorang supir taksi bernama Aslan menjadi jatuh cinta.
Suara.com - Tak ada travelers yang betah menunggu penerbangan lama-lama di bandara. Namun, lain halnya jika kamu menunggu di bandara yang memiliki fasilitas bandara nyaman nan membuat betah.
Ya, demi menghilangkan kebosanan travelers, banyak bandara kini menyediakan fasilitas seperti spa, tempat istirahat, arena bermain, dan lain semacamnya.
Tak hanya itu, ada pula bandara yang menyediakan kegiatan wisata atau tur untuk membantu travelers menghabiskan waktu.
Namun, dari sekian banyak bandara yang ada, rupanya ada juga bandara yang punya fasilitas unik nan nyeleneh bagi travelers.
Dirangkum Suara.com dari berbagai sumber, intip 5 bandara dengan fasilitas unik di bawah ini.
1. Tur di terowongan bekas perang - Sarajevo International Airport
Fasilitas Unik di Bandara (Wikimedia Commons) Berbeda dari fasilitas bandara lain yang ada di atas tanah, Sarajevo International Airport di Bosnia dan Herzegovina punya fasilitas tur bawah tanah.
Lewat bandara ini, travelers bisa mengunjungi terowongan yang ada di bawah tanah dan dibangun pada tahun 1993 silam untuk Perang Bosnia.
Terowongan ini dulunya digunakan untuk mengirim makanan dan senjata saat perang, namun saat ini terowongan tersebut digunakan travelers untuk menghabiskan waktu sebelum penerbangan.
2. Bermain dengan babi di bandara - San Fransisco International Airport
Fasilitas Unik di Bandara (instagram.com/lilou_sfpig) Selama beberapa tahun terakhir, keberadaan binatang terapi di bandara mulai diperkenalkan pada travelers.
Salah satunya adalah di bandara San Fransisco International Airport. Sejak tahun 2013 silam, bandara SFO telah meluncurkan program bernama Wag Brigade.
Di sini, travelers bisa bertemu dengan babi kecil bernama Lilou dan bermain dengannya sembari menunggu penerbangan.
Fasilitas Unik di Bandara (changiairport.com) Sejak dulu, bandara Changi di Singapura dikenal sebagai salah satu bandara favorit travelers yang menyediakan aneka macam fasilitas.
Yang terbaru, bandara Changi menghadirkan tantangan berupa Canopy Mazes di Jewel Changi Airport.
Di sini, travelers bisa menemukan dua jenis labirin. Yang pertama adalah labirin biasa, sementara yang kedua adalah labirin kaca.
Meski begitu, travelers tentunya harus berhati-hati saat mencoba labirin ini agar tidak tersesat dan malah ketinggalan penerbangan.
4. Kebun sayur aeroponic - O'Hare International Airport
Fasilitas Unik di Bandara (flychicago.com) Beralih ke bandara O'Hare International Airport di Chicago, travelers bisa menemukan kebun sayur aeroponic.
Di kebun sayur ini, penumpang pesawat dapat bersantai sembari menikmati aneka makanan dan melihat-lihat tanaman yang ada.
Aeroponic sendiri adalah metode untuk berkebun tanpa menggunakan tanah dan biasanya digunakan untuk menanam sayur di ruang yang terbatas.
5. Selancar sebelum terbang - Munich International Airport
Fasilitas Unik di Bandara (munich-airport.com) Menemukan kolam renang di bandara tidak ada apa-apanya jika dibandingkan dengan fasilitas yang disediakan Munich International Airport, Jerman ini.
Sejak tahun 2012 silam, bandara ini telah menyediakan kolam ombak untuk selancar di bandara.
Selain selancar, Munich International Airport juga menyediakan fasilitas skateboarding lho.
Tertarik untuk berkunjung ke bandara-bandara ini demi menjajal fasilitasnya?
A little over ten weeks after Deadline broke the stunning news in April that Disney had canceled his epic $170 million animated film Mouse Guard two weeks before production began, director Wes Ball this week seemed to reconcile that his dream project was really over, at least for now.
He has been fighting over two months to find a new home for the film, but earlier this week he tweeted: “Yes sadly, its true. Our #mouseguard movie is dead. Seems it’s too big a risk. It’s a damn shame really. We had something special. To my hella talented cast/crew: I’m sorry I couldn’t push this one through. The past year with you all has been a blast. May the Guard prevail!”
He also posted around ten minutes of footage from his movie that was done for pre-viz purposes (you can watch above), this before he was able to get the vocals recorded from a voice cast that was to include Idris Elba, Andy Serkis, Maze Runner‘s Thomas Brodie-Sangster, and Crazy Rich Asians’ Sonoya Mizuno.
Related Story Idris Elba "Disheartened" By Racially-Charged Bond Casting Backlash
Deadline caught up with Ball for a postmortem. It’s rare to see such an exceptionally high budget major studio film get unplugged so close to the start line — word in the community is that over $20 million got spent in prep work –and I asked straight away what Ball most regretted about the experience.
“Well, maybe I should have asked permission before I posted that footage,” he said. “I might be in a bit of trouble. But a lot of artists worked very hard here, and it broke my heart that nobody was doing to see their work. I gave up no spoilers, this was a teaser done as a test, and I hoped it might help the movie. But I wish I had asked.”
When Disney backed away, reasons ranged from the idea that Disney already had a signature mouse and didn’t need one that was more like Bruce Lee than Mickey. Other speculation centered around the price tag, for a picture that has the epic action feel of The Lord of the Rings or Game of Thrones, with mice and forest creatures.
“The truth is, it was being done for a modest budget,” Ball said. “Compared to a lot of big animated movies, we were pretty cheap, but now that nobody picked up the tab, we have to reassess everything, as our crew scattered to the wind,” Ball said. “Those budget numbers always get fuzzy, but we had an outside financier committing to half the budget, and we qualified for the L.A. tax credit.”
I’m glad Ball posted the footage. It is one thing to write that a high price tag movie had been unplugged by the new owners of Fox, but the story takes on more depth when you see the ambition and scope presented in these scenes. Ball was asked to swing for the fences, the moment Fox production chief Emma Watts convinced him to take on David Petersen’s Eisner-winning comic book series as a followup to his Maze Runner trilogy.
“Emma has been fantastic through this whole process,” Ball said. “We made three movies together and she has been a huge champion, and the first time she asked what did I want to do next after Maze Runner, I said, something small and she said, make it big and make it cool. They had been talking about the Mouse Guard thing, this mice with swords epic. She asked me to take a look at it, and to think of it like Avatar, and, what would James Cameron do? I took the books home, saw the imagery and locked onto this: Avatar with medieval mice. That’s when it clocked in, when the possibilities presented themselves and the ideas began flooding in.
“She gave us a little money to bring on the Fox Visual Effect Lab, which she and Stacey Snider started. We brought on Glenn Derry, who designed Cameron’s films, with the goal of making a trailer to show what it looked like for mice to really walk around, and to fight. So, 12 or 13 weeks later, we made a sizzle reel, a test trailer, with really good pre-viz. We got WETA involved, we got Dan Lemmon, who did the visual effects on Caesar for Planet of the Apes, for Matt Reeves. We had the best craftsmen, from my point of view, and started down a year and one half road.”
Until they ran out of road, when every Fox film with a green light got reevaluated by the new owners at Disney.
“We kept building out the movie, hiring cast that was about to fly here, and then two weeks out, boom, it just happened,” he said of the phone call. “It just happened, it sucks having the rug pulled out from under you. We had assembled some of the best artists I had ever dreamed of working with, and they wanted to be here. Many of them came up to me in the lunchroom, to say, this felt so different. It wasn’t another superhero movie, or a sequel It was an original, but one that fit the box of those movies, a big mainstream project. The author of these graphic novels created a universe, and it felt like everyday we were making Star Wars, that kind of endless potential. I was on the stage, prepping with the entire crew and the stages were being built out, and I get this call. And I have to try to not tell anyone, and have to go back out there and work. Eventually, I had to come clean with everyone.”
His dream dashed, at least for now, Ball isn’t bitter at anyone.
“Emma was great, she asked Disney to let us shop it around and see if other studios were interested, but it’s a big number for studios that have slates set for years in those kinds of films,” Ball said. The other problem was a difficulty in trying to retrofit a lower cost version of the movie, based on all the top-shelf prep work that had been done.
“You have to understand, the machine was built, and the WETA pipeline, everything had been built out for a year,” Ball said. “If you try to cut it in half, that machine doesn’t work. You can do that with live action, but we were inventing a new technological scope that would have been hard to pull off in a much quicker turnaround than the one we allotted for.
“The concept is refreshing but familiar enough, and our approach was to take a very familiar classic hero journey story, with cutting edge technology,” he said. “The ambition was the spectacle you felt going to those Planet of the Apes movies, where it was stunning to watch this magic trick unfold in front of your eyes. This story was so charming and inviting, a perfect four quadrant movie, and a lot of studios loved it. I was thrilled by what we had done, and the machine we had built. I did get comments like, but it’s an IP nobody knows, or that people might not relate to mice creatures. I got all that, but my argument was that we embraced the blue people in Avatar…”
Ball also held no acrimony toward Disney: “No ill will toward them. They made a decision, we asked are you sure and they were. They had their reasons.”
If there is a consolation here, it’s that many recent sequels have been proven that it is possible for blockbusters to become so well worn, it’s impossible to surprise people over and over. Even blockbuster factories like Lucasfilm and Marvel are having to reinvent themselves.
So when someone decides there is room for a project with original, new IP, with warrior rodents, Ball will be ready.
“Even though the machine has been disassembled, the beautiful thing is there is this digital movie all designed and resting inside a video game engine, and it all exists on a hard drive,” he said. “If we should decide to relaunch, even if we approach it in a different way, all those assets we built are there and we can dive back in. Someone told me 15 years ago, heat comes and goes, but talent never dies. This film will be as relevant in five years as it is now. I have faith in that and maybe the attention [for posting the pre-viz footage] will inspire someone to take this on. All I want is to see the audience in theaters react to all the incredible things we dreamed up here.”
Ball’s repped by Paradigm and Gotham Group.
This post may contain affiliate links; please read the disclosure for more information.
PRODUCTION BEGINS ON THE DISNEY+ ORIGINAL MOVIE
“FLORA & ULYSSES” FROM WALT DISNEY PICTURES
Lena Khan Directs Adaptation of Award-Winning Children’s Book
Production started this week in Vancouver on Walt Disney Pictures’ “Flora & Ulysses,” directed by Lena Khan and based on the Newberry Award–winning children’s book, “Flora & Ulysses: The Illuminated Adventures” by Kate DiCamillo. The film is being produced for the upcoming streaming service Disney+, which launches in the U.S. on November 12.
Director Lena Khan made waves with her first feature film, “The Tiger Hunter,” which released in 2017 and was financed by crowdfunding. The comedy about a South Asian Muslim immigrant attempting to find his way in 1970s America garnered positive reviews for Khan, a graduate of the UCLA School of Theater, Film and Television, and spotlighted her talents as a Muslim woman behind the camera.
“Flora & Ulysses” tells the story of 10-year-old Flora, an avid comic book fan and a self-avowed cynic, who saves a squirrel she names Ulysses only to have its unique superhero powers wreak havoc in a series of humorous, antic-filled adventures that ultimately change Flora’s life—and her outlook—forever.
Matilda Lawler steps into the role of Flora, marking her film debut. She currently stars on Broadway as Honor Carney in Jez Butterworth’s Tony® Award–winning play “The Ferryman,” directed by Sam Mendes. Alyson Hannigan (“How I Met Your Mother,” “American Pie”) plays Flora’s romance-writer mother, Phyllis, and Ben Schwartz (“Parks and Recreation,” “Modern Family”) plays the role of her world-weary, estranged father, George. Newcomer Benjamin Evans Ainsworth plays the role of William, Flora’s newfound, but annoying, friend, and Danny Pudi (“Community,” “The Tiger Hunter”) joins the cast as Miller, an overly zealous animal control officer.
“Flora & Ulysses” is produced by Academy Award®–nominated film producer Gil Netter (“Life of Pi,” “The Blind Side,” “Marley and Me”), and James Powers (“The Maze Runner” series) and Katterli Frauenfelder (“Dumbo,” “Miss Peregrine’s Home for Peculiar Children”) are the executive producers. The book was adapted for the screen by Brad Copeland (“Ferdinand,” “Wild Hogs”).
Khan and the producers assembled a talented roster of filmmakers, including director of photography Andrew Dunn (“Lee Daniels’ The Butler,” “Crazy, Stupid, Love.”); production designer Michael Fitzgerald (“Medal of Honor,” “The Tiger Hunter”); editor Lee Haxall (“Always Be My Maybe”); and costume designer Mona May (“Santa Clarita Diet,” “Enchanted”).
About Disney+:
Launching in the U.S. on November 12, 2019, Disney+ will be the ultimate streaming destination for movies and shows from Disney, Pixar, Marvel, Star Wars, National Geographic, and more. From The Walt Disney Company’s Direct-to-Consumer and International segment, Disney+ will offer ad-free programming with a variety of original feature-length films, documentaries, live-action and animated series and short-form content including series “The Mandalorian,” “High School Musical: The Musical: The Series,” “The World According to Jeff Goldblum,” and “Encore!” and films “Lady and the Tramp” and “Noelle.” Alongside unprecedented access to Disney’s incredible library of film and television entertainment and 30 seasons of “The Simpsons,” the service will also be the exclusive streaming home for films released by The Walt Disney Studios in 2019 and beyond, including “Captain Marvel,” “Avengers: Endgame,” “Aladdin,” “Toy Story 4,” “The Lion King,” “Maleficent: Mistress of Evil,” “Frozen 2,”and “Star Wars: The Rise of Skywalker.” Visit DisneyPlus.com to learn more.
One of the 20th Century Fox feature film projects that ended up getting cancelled during the merger between Disney and Fox was director Wes Ball’s (Maze Runner) ambitious Mouse Guard movie based on the graphic novel from David Peterson.
Set in a medieval world and tells of an order of mice who are the sworn protectors of their realm. Enemies range from predators such as foxes and eagles to other rodents.
The cast assembled was going to include Idris Elba (Thor: Ragnarok, Hobbs and Shaw), Andy Serkis (Planet of The Apes trilogy, Lord of The Rings trilogy, Black Panther), Jack Whitehall (Jungle Cruise), and Thomas Brodie-Sangster (Maze Runner, Game of Thrones).
Weta Digital was lined up to handle the motion capture and visual effects.
While we likely won’t see the film come together unless Disney’s Alan Horn and Fox’s Emma Watts have a change of heart, but we luckily have a glimpse into the world they were trying build via concept art posted on Instagram by artist Derek Zabrocki.
“Here is a snippet of one of (hundreds) concepts I did for Mouse Guard directed by amazing dude Wes Ball. Thank you for all the constant support and good words it means a lot!”
Check out a bunch of the artwork Derek recently posted on his personal account.
Hopefully, Disney/Fox will reconsider and attempt to revive the project down the line.
SOURCE: DAREK ZABROCKI
The Disney-Fox merger killed a lot of in-the works projects from the absorbed studio — including the much-anticipated Mouse Guard adaptation from Maze Runner director Wes Ball. Based on the Eisner-award winning comic series of the same name, Mouse Guard was going to be an epic fantasy about a world of mice inhabiting a lush forest world. The project was halted back in April after the merger, but Ball confirmed the rumors of cancelation Tuesday night on Twitter.
Yes sadly, its true. Our #mouseguard movie is dead.
Seems it's too big a risk. It’s a damn shame really. We had something special. To my hella talented cast/crew: I’m sorry I couldn’t push this one through. The past year with you all has been a blast. May the Guard prevail! pic.twitter.com/MGRq54uI6O — Wes Ball (@wesball) June 26, 2019
Along with the official word, Ball released a nine-minute demo reel, rendered using Epic’s Unreal engine. The demo isn’t meant to reflect how the movie would actually look — you can see a little glimpse of the actual mouse design in the Twitter clip above — but rather to capture the movie’s feel.
The clip opens on a lush forest setting, and eventually showcases the mice hustling about their little town, riding formidable tortoises and birds through the woods, and battling against various scary woodland creatures. There is also a somber mouse funeral and the epic flames of a heated battle.
Idris Elba, Andy Serkis, and Thomas Brodie-Sangster were set to voice characters in Mouse Guard. As for Ball, the director remains attached to direct The Chrysalis, described as a suburban horror film.
In mid-April, Disney made a surprising move by pulling the plug on 20th Century Fox's Mouse Guard film two weeks before it was supposed to start production. It was doubly shocking due to the fact that Fox, purchased by Disney in March, had already been developing the flick (aptly described as "Game of Thrones, but with mice") since 2016.
Based on the award-winning BOOM! Studios comic by David Petersen, the movie, which had Wes Ball (The Maze Runner) attached as director, had already cast a number of major actors, like Idris Elba and Andy Serkis, for motion capture/CGI roles.
While it's still possible for another studio to pick up the project, it's not likely we'll be seeing The Mouse Guard on the silver screen anytime soon. That said, some concept art for the flick has surfaced, giving us a bittersweet taste of a feature that would have been beautiful in design and epic in scope. The stunning artwork comes courtesy of Darek Zabrocki, a concept artist who has provided preliminary designs for Mindhunter, Maze Runner: The Death Cure, Robin Hood, and Love, Death & Robots.
"I was working on a lot of locations, environment designs, mood shots, keyframes, and generally fleshing out the world as much," Zabrocki exclusively tells SYFY WIRE. "For me it was ideal, because after years of working on a number of well-established brands and projects, I felt like it was something really fresh. ... I did a lot of research, and while working with production designer Daniel Dorrance [I learned] a lot of interesting ways of getting inspired by the real-life places and unknown locations. Furthermore, I had a chance to see how my concepts were brought to life and how all the designs were put into action with real, 3D environments. It was wicked, and [such a] humble experience."
Check them all out below. According to the first post, these are just a small fraction of the hundreds of commissioned pieces Zabrocki did for Fox. Yet another sign that preproduction stage had come a very long way before the movie was scrapped.
"After I heard the project got scrapped I felt devastated, because for the last 12 months I [had] put a lot of love and passion into something I really believed in," adds Zubrocki. "At the end of the day, that project was a great and fresh new chapter. I had a chance to try new things, new workflows. [I was exploring] a different scale, starting with a super-small, intimate team and growing into a full Hollywood production team within a few months. I keep saying what was made by all [the] people involved was golden, and I will always remember it positively."
