Berikut ini sinopsis film Mad Max: Fury Road yang tayang malam ini di TransTv mulai pukul 21.30 WIB. Simak selengkapnya di sini!
TRIBUNNEWS.COM - Film Mad Max: Fury Road akan tayang malam ini, Selasa (19/3/2019) pukul 21.30 WIB. di Trans TV .
Film ini dirilis pada 15 Mei 2015 di Amerika Serikat yang mengususng genre fiction-adventure.
Uniknya, film ini merupakan kolaborasi antara sineas Amerika dengan Australia.
Tak hanya ini, sejumlah aktor dan aktris papan atas ikut terlibat dalam film ini.
Mereka antara lain, Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Riley Keough, Zoe Kravitz, Abbey Lee, dan Courtney Eaton.
Digarap oleh George Miller sebagai sutradara, dan ditulis oleh Nico Lathouris, Brendan McCarthy, George Miller berhasil menghidupkan film.
Baca: Sinopsis Film Swiss Army Man, Petualangan Komedi Paul Dano dan Daniel Radcliffe
Baca: Angel Karamoy Ngaku Ketagihan Main Film Horor, Gara-gara Pacar Nih?
Film ini berhasil membawa pulang enam piala oscar sekaligus untuk kategori:
1. Best Achievement in Film Editing : Margaret Sixel
2. Best Achievement in Costume Design: Jenny Beavan
Senteluk Village in West Lombok to Become Halal Tourism Icon in NTB timesindonesia.co.id
TRIBUNSTYLE.COM - Sinopsis Film Battle Los Angeles Hari Kamis 21 Maret 2019 Trans TV 21.30 WIB, serangan makhluk meteor misterius di kota Los Angeles , Santa Monica!
Baca Sinopsis Film Battle Los Angeles yang tayang pada hari Kamis, 21 Maret 2019 pukul 21.30 WIB di Trans TV .
Sinopsis Film Battle Los Angeles mengisahkan tentang para tentara yang berusaha menghentikan serangan makhluk meteor di bumi.
Battle Los Angeles adalah film bergenre Action dan Sci-Fi yang dirilis pada 11 Maret 2011.
• Sinopsis Film 2 Fast 2 Furious Hari Ini Selasa 19 Maret 2019 GTV 21.00 WIB, Balapan Liar di Miami!
Battle Los Angeles juga dibintangi oleh banyak aktor dan aktris papan atas seperti Aaron Eckhart, Michelle Rodriguez, Raymond Rodriguez, hingga penyanyi Ne-Yo.
Yuk intip Sinopsis Film Battle Los Angeles di bawah ini!
Film Battle Los Angeles menceritakan tentang serangan alien di bumi.
Berawal dari Los Angeles, Amerika Serikat, pada tanggal 12 Agustus 2011.
• Sinopsis Film Mad Max: Fury Road Hari Ini Selasa 19 Maret 2019 Trans TV 21.30 WIB, Perjalanan Gurun!
Salah satu sersan yang bertugas, Sersan Nantz (Aaron Eckhart), harus memimpin kelompok tentaranya untuk menghentikan serangan tersebut dan mengalahkan para alien.
Still, that's not what I'm here to talk about. I'm here to discuss the one stand-out character, the one who is PRONGS above the rest. I, of course, mean Bonnie's newest creation: Forky
Ever since 2011’s Mortal Kombat, aka MK9, brought Freddy Krueger into the fight, NetherRealm Studios has been bringing surprising guests into their games. The first of their DC Comics fighting games, Injustice, had Scorpion from Mortal Kombat make the jump. Follow-up MKX had a bevy of guests, with Jason Voorhees, Alien, Predator, and Texas Chainsaw Massacre’s Leatherface all throwing down. Most recently, Injustice 2 saw Sub-Zero and Raiden from MK, Hellboy, and all four of the Teenage Mutant Ninja turtles make an appearance. Clearly, having surprising but welcome crossovers is a priority for NetherRealm Studios and their parent company, Warner Bros. Interactive Entertainment (WB Games).
With the impending April release of Mortal Kombat 11, now is the perfect time to do some fun speculating about who could show up in the game. These are just my personal guesses, so do not take them as any sort of hint or rumor, but they are based mainly on license availability and brand compatibility.
Pennywise the Dancing Clown
Out of possible guest characters for MK11, everyone’s favorite murdering clown has my vote for Most Likely to Appear. Pennywise, from Stephen King’s novel It, is most known for his adaptation into the miniseries from 1990 starring Tim Curry, and later from the 2017 feature film. That version of the movie was a massive success, earning over $700 million on a $35 million budget. The sequel, following the stories of the survivors from the 2017 film as adults, will be released this year.
There are so many factors that make me think Pennywise has a great shot at being in the game. One, he’s a recognizable horror movie character, which previous games had in spades. Two, his last movie raked it in at the box office. Three, the sequel comes out this year. Four, and perhaps most importantly, the new It movies are made by Warner Bros. themselves. Of course they would want to promote their own brands within their own brands. On top of all of this, I think Pennywise would make a great character gameplay wise. They could do so much with the concept of a “demonic clown” in a game like Mortal Kombat. Again, this is mere speculation, but if I was a betting man, I would guess that Pennywise will show up at some point.
Spawn
Nothing screams “loveable edgy 90’s schlock” like Spawn. Created by Todd McFarlane, Spawn is a superhero who came back from the dead who likes to sulk a lot. There was a Spawn movie in 1997, and there is a new movie set to shoot in June, but after two decades of teasing a new movie, I’ll believe it when I see it.
The main reason why Spawn is on the list is because, in a Reddit AMA, McFarlane was asked if Spawn would be in MK11, to which he replied “I believe he’s on his way…” Spawn would be a great fit for the game, being a violent comic book character from the same era as Mortal Kombat, but I wouldn’t take McFarlane’s word as confirmation. Two decades of him saying the new Spawn movie is coming is proof of that. However, Spawn in Mortal Kombat feels similar to Hellboy in Injustice, and if McFarlane is willing, I don’t see why he couldn’t show up. It wouldn’t even be Spawn’s first time being a guest in a fighting game! Spawn would be a good fit in MK, so I do hope we see him show up.
Talion (or another Tolkien universe representative)
We are starting to get into “possible but unlikely” territory here. 2014’s Middle-earth: Shadow of Mordor and 2017’s Middle-earth: Shadow is War are action-adventure games set in the Tolkien Lord of the Rings universe. The games were hugely successful and published by, you guessed it, Warner Bros. Interactive Entertainment.
The games star Talion, a Ranger who lost his family, died, and was brought back to life because of fantasy shenanigans. The main factor here is that these games are Violent with a capital V. Talion beheads and maims orcs like they were paper. Seeing him perform a fatality would not be too shocking. However, Talion himself never gets murdered too gruesomely. Plus, Tolkien’s estate has been known to be a bit picky about what they sign the licensing rights to, although since Talion was created for the games, it could be that WB wouldn’t even need their permission. I wouldn’t bank on a Lord of the Rings universe character appearing, but it’s definitely within the (nether)realm of possibility.
Max Rockatansky (Mad Max)
In 2015, the greatest movie ever made, Mad Max: Fury Road, was released. Several months later, WB Games published Mad Max, an original open-world game starring the titular Max and his big, strong car. The game was met with overall positive reception and decent sales, although it didn’t light the world on fire.
I’m not too sure how likely it would be for Max or any other Mad Max character to show up. While the Mad Max movies are violent, they are not quite as splattery as Mortal Kombat. Still, WB Games owns the rights, and could throw Max into the fight if they thought it would be a good fit. If that were the case, I want one of his fatalities to occur off-screen like the scene in Fury Road when he murders the Bullet Farmer and all of his men and we see none of it. What an amazing movie.
Joker/Batman Who Laughs/Another DC character
We have had MK characters appear in Injustice, but we have yet to see DC characters appear in Mortal Kombat, and for good reason. When Mortal Kombat vs. DC Universe released in 2008, this not-very-good fighting game had some very bad Fatalities and “Heroic Brutalities”. The violence in Mortal Kombat 11 would be out of place for most DC characters.
However, if they really wanted to, I think they could make a character like Joker work. While he doesn’t usually mulch his opponents like a Mortal Kombat character, Joker isn’t too far off. The relatively new character The Batman Who Laughs, meanwhile, is an alternate universe Batman who loves crime and murder. I could more easily see DC allowing this weird new character kill and get killed than their established roster, but it would still be a bit of a stretch.
Doom Marine (DOOM)
I wanted to add one video game guest character to this list, even though all of the past guests have been from comics and movies. The Doom Marine, aka Doomguy, is unique, in that he had both no personality and yet is a completely loveable character, as all he cares about is Ripping and/or Tearing.
Ed Boon, Mortal Kombat series director and known troll, was asked about Doom Marine appearing in MK11, to which he replied “Too violent 😉”. Boon is known to constantly tease fans with fake rumors, confirming and deconfirming characters regardless of accuracy, and just generally be an agent of chaos. So while DOOM is not in WB Games’ warehouse, if the companies came to an agreement, I think the Doom Marine could easily fit into Mortal Kombat, and would probably bring some gnarly fatalities with him.
There are numerous other possibilities for MK11 guest characters, though they tend to be much more unlikely. WB owns many franchises, including The Matrix and Harry Potter, though I doubt we would see them show up. John Wick is also a WB property, although he might not be too interesting in practice. There are also other iconic horror icons that could fit in the game, like Michael Myers and Chucky, but WB doesn’t own their rights, so their inclusion would be tricky. These are just some of my guesses, although I would have never predicted the Ninja Turtles would show up in Injustice 2, so here’s hoping Ed Boon and his team pull some amazing surprises.
Who do you think should be a guest in Mortal Kombat 11? Let us know in the comments and on Twitter!
Captain Marvel has earned over $270 million domestic in ten days of release. This despite a deluge of folks who attempted to turn Brie Larson’s comments about wanting to see a more diverse group of movie journalists covering the movie into accusations that the movie wasn’t for white men and/or that white men wouldn’t be invited to early screenings. The $150m-budgeted flick has earned over $500m overseas in just under two weeks of global play. This, despite fabricated rumormongering concerning Disney and Marvel’s misgivings with the movie and with Brie Larson’s star performance. The Anna Boden/Ryan Fleck-directed sci-fi actioner may top $800 million worldwide as early as today. This despite coordinated attempts to review-bomb the film on various opt-in user polls at Rotten Tomatoes, Metacritic and IMDB.
It’s almost as if general moviegoers here and abroad merely saw Captain Marvel as another relatively well-reviewed MCU action fantasy, give or take increased interest due to it being the first solo female-led superhero movie in the franchise, and showed up with bells on. The pre-release attempts to stir up discontent were as effective with Captain Marvel as they were with Wonder Woman. That DC Films flick got it from all sides, with some folks complaining about women-only screenings at the Alamo Drafthouse theaters while others feigned horror over Wonder Woman being promoted via ThinkThin protein bars or over Gal Gadot’s armpits being digitally shaved in certain sequences. Cue a $103.5 million debut, a $412.5m domestic total and $821m worldwide on a $149m budget.
The blow-out success of the Brie Larson/Samuel L. Jackson/Reggie the Cat movie means yet again that the trolls had no effect on the film’s public reception. That means that, while they won’t stop shouting, we don’t necessarily have to give them a bullhorn or include them as serious elements of the critical narrative. What the Internet thinks about something, especially when it’s merely a handful of tweets or Facebook posts, isn’t indicative of the general moviegoing populace. If it were, Mad Max: Fury Road would have cleared $400 million global and Bohemian Rhapsody wouldn’t have been an Oscar-winning $878m-grossing smash. What this also means is that the folks over at Lucasfilm, especially Kathleen Kennedy and J.J. Abrams, can breathe a sigh of relief.
Today is March 19, meaning that we are exactly nine months (counting Thursday previews) from the domestic theatrical release of the still-untitled Star Wars: Episode IX. The J.J. Abrams-directed sequel has been a subject of much speculation, as is the case with every Star Wars movie since The Empire Strikes Back. Yes, it is allegedly the final movie in the Skywalker/Solo saga. With Harrison Ford’s Han Solo and Mark Hamill’s Luke Skywalker killed off and Carrie Fisher’s General Leia set to be written out one way or another due to the actress’ passing 2.25-years ago, the ninth “episode” in the franchise is also being seen as something of an answer as to whether the online discontent over Rian Johnson’s The Last Jedi represented the general populace.
There are plenty of critics, pundits and consumers who didn’t like The Last Jedi for subjectively valid reasons, just as I didn’t care for The Force Awakens. But the sheer outpouring of online troll-driven criticism, much of it clouded in sexism and racism (along with an odd inability to accept the notion of Luke Skywalker as anything other than an idealized Jedi superhero) made it hard to discuss the film both for those who loved it and for those who, with no malice or ill-intent, did not. Star Wars VIII earned $620 million in North America from a $220m debut weekend and eventually earned $1.335 billion globally. It made almost as much domestically as Aquaman ($334m), Bumblebee ($125m) and Mary Poppins Returns ($171m) combined.
Yes, there was a 1/3 drop from The Force Awakens (about on par with the drop from Star Wars to Empire Strikes Back and from Phantom Menace to Attack of the Clones) here ($937 million) and worldwide ($2.058 billion). It was a tad frontloaded (2.8x) for a big Christmas release. But the notion that the film, which earned mostly rave pre-release reviews and an A from Cinemascore polling, was loathed by the general populace never made sense, even if you ignored the theory that some of the online discontent was spurred on by Russian trolls or bots. As George Lucas once said when defending The Phantom Menace, when people don’t want to see a sequel they don’t show up. Come what may, they showed up.
The 51% Rotten Tomatoes user score was used as evidence that audiences hated the deconstructionist picture, while the failure of Solo: A Star Wars Story (ironically a movie that, while being a solid three-star entertainment on its own, was closer to what the worst Last Jedi haters claimed to want from a Disney Star Wars flick) was seen as evidence of a post-The Last Jedi backlash. Maybe there was some issue with two Star Wars movies being released in six months, but I still maintain that Solo ($394 million worldwide) disappointed because audiences had no interest in seeing a “Young Han Solo” stand-alone movie. Either way, the reception of Captain Marvel despite online trolling and manufactured pre-release controversies is encouraging for Star Wars.
The success of Captain Marvel, which, come what may, still won’t make as much here or abroad as The Last Jedi (and probably Rogue One: A Star Wars Story at least in North America), shows that the online boycotts or attempts to stir up outrage and controversy have about as much effect as you’d expect. They didn’t stop Wonder Woman from being a hit, nor did (slight digression) the behind the scenes melodrama concerning Paramount/Viacom's World War Z six years ago didn’t stop that Brad Pitt zombie flick from earning $551 million worldwide. The online scuffles over Peter Rabbit’s scene where the anti-hero throws berries at a character with a food allergy didn’t stop that Sony movie from legging it past $100m from a $25m debut.
To the extent that anyone thought the online controversies over The Last Jedi would be reflected in the eventual box office reception of Episode IX, well, Captain Marvel is on its way to an over/under $1.1 billion global cume. This despite online umbrage arguing that Brie Larson was arguing for white genocide, that Disney was so displeased with the movie that they were heavily re-editing the next Avengers movie to cut around Carol Danvers and that they were considering recasting the role after Endgame. That doesn’t mean it’s the greatest movie ever made. I actually preferred Wonder Woman, Alita: Battle Angel and Atomic Blonde among recent female-led superhero or comic book actioners. But those who wanted to see it showed up and seemed to like it.
That’s presumably what will happen in December, assuming the last Star Wars movie works as IMAX-friendly crowd-pleasing event movie fare. Those who liked The Last Jedi and most of those who didn’t will show up to see how Kathleen Kennedy and J.J. Abrams wrap up the new trilogy. They’ll show up because it’s the last chapter in the Skywalker/Solo story, and because it’s still a Star Wars movie even in a world where big-scale action fantasy blockbusters are almost run-of-the-mill. They’ll show up because Frozen II is opening before Thanksgiving weekend while Wonder Woman 1984, Death on the Nile and James Bond 25 all moved to 2020, leaving only Star Wars: What Kind of Day Has It Been, Jumanji 3 and Cats. They’ll show up because it’s the big movie of the Christmas season.
Yes, the final Rey/Finn/Kylo adventure could take a dive even from The Last Jedi, showing mostly that The Force Awakens was buoyed by a one-time curiosity factor that wasn’t replicated (relatively speaking) with the next installments. Even a drop from Star Trek into Darkness (another allegedly loathed sequel that paying consumers mostly thought was some variation of “fine”) to Star Trek Beyond (from $228m domestic and $467m worldwide to $158m domestic and $338m worldwide) would see the film gross $430 million in North America (still bigger than any non-Star Wars earner ever in the August-to-December months) and $551m overseas for a $981m global cume. That’s arguably the worst-case-scenario. Anything better than that in terms of holds, and it still gets to $1 billion global.
Regular readers have seen some of these numbers before, as well as the oft-repeated fact that both prior “part II” Star Wars movies (The Empire Strikes Back and Attack of the Clones) dropped around 1/3 from “part I” only for the respective “part III” installments (Return of the Jedi and Revenge of the Sith) to jump around 20% from that first sequel. A similar run would give Star Wars: Endgame around $745m domestic and $1.6 billion global. To be fair, moviegoing is very different than it was in 2005 let alone 1983. However, the strong showing of Captain Marvel is yet more evidence that the online discourse over the last Star Wars movie won’t mean much when it comes to the next Star Wars movie.
Star Wars: The Big Balloon Adventure may not top Jurassic World ($1.671 billion) worldwide and it may end 2019 behind Avengers: Endgame (along with, however unlikely, something like The Lion King or Frozen II), but there is little reason not to presume that the Daisy Ridley/John Boyega/Adam Driver/Carrie Fisher/Mark Hamill/Billy Dee Williams sci-fi finale won’t be an otherwise huge hit when it closes out the year and the franchise nine months from today. Captain Marvel proved that the online trolls don’t matter or at least don’t reflect a general consumer opinion of a given “big movie.” Folks wanted to see Captain Marvel so they did. They liked the movie just fine, so they told their friends. That’s how this stuff still works, and everything else is just an in-the-bubble distraction.
Tonguing on the Outside of the Mouth: The Kate and Pete Story
By Lainey Bobainey | Pajiba Love | March 19, 2019 |
Lupita’s freaky contact lenses weirded me out when she was on Colbert last night (and weirded him out, too) but I dug the hell out of her bright pink suit. - (Lainey)
But Lupita’s InstaGram comment KILLS me! (Also, that coat is amazing.) - (GFY)
I would watch Christine Baranski sit and read silently to herself. I find her absolutely captivating. - (Celebitchy)
Neil deGrasse Tyson will return to Cosmos: A Space Odyssey and National Geographic’s Star Talk. In the words of Courtney: Men will be fine. They always are. - (Shadow and Act)
Hahahahahahahahahahahaha!
this is every journalist headshot pic.twitter.com/4SxZTgpn1k — Ruchira Sharma (@RuchoSharma) March 19, 2019
Holy shit, Pretty Woman is 30 years old? Wow! Julia Roberts thinks it couldn’t/wouldn’t be made today. I don’t know that I agree with that. - (Dlisted)
The commercials for the new version of Pet Semetary seem to give away most of the movie, but I still want to see it. The first version scared the piss out of me. Some Stephen King movies work way better than others, though. Here’s a list of the best adaptations. - (Atom Insider)
The answer is obviously eight. It’s eight. Eight chuggas. - (Buzzfeed)
If these Game of Thrones chocolate dragon’s eggs came in dark chocolate, I would be bribing the hell out of any and every British person I could find to SEND THEM TO ME! - (PW)
Pete Davidson and Kate Beckinsale attended the premiere of the Motley Crue film The Dirt together, and appropriately enough to the event, were spotted making out. “It’s one thing to be tonguing each other on the inside. It’s a whole other thing to be tonguing each other when the tongues are exposed. Kate and Pete are almost there.” Ew. But also, awwww. (LG)
Like many of us, Mad Max Fury Road Generator missed Drew Magary’s writing and podcasting while he was laid up with a head injury. To fill the hole in her life, she listened to Magary read Someone Could Get Hurt, his essays on parenthood. "I think he’s funny. (I think he’s funny?! Oh goodness, this is going to be a review as if Ron Swanson wrote it.)" Did you get a chance to read Magary’s 2018(ish) Hater’s Guide To The Williams-Sonoma Catalog? (Cannonball Read 11)
Lainey is the copy editor & linkmaster. You can Tweet at her on Twitter.
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Justice League Mortal Image Shows Off DJ Cotrona’s Unused Superman Costume
Concept art from George Miller’s scrapped Justice League Mortal film gives us a look at the unused Superman costume DJ Cotrona was set to don before Warner Bros. ultimately canceled the film.
Also read: Joss Whedon Calls Henry Cavill The Best Superman Since Christopher Reeve
Long before DC’s cinematic landscape of today, Mad Max: Fury Road director George Miller nearly directed his very own Justice League film back in 2007 titled Justice League Mortal when the film was canceled last minute. The project itself made it all the way through pre-production before it was scrapped by Warner Bros. just before photography was set to commence.
Concept art shared on Instagram gives us a look at the costume DJ Cotrona was to don as Superman in Justice League Mortal. DJ Cotrona was set to star as Superman, alongside Armie Hammer as Batman, Common as John Stewart aka Green Lantern, Santiago Cabrera (Heroes) as Aquaman, Megan Gale as Wonder Woman, Jay Baruchel as Maxwell Lord, Teresa Palmer as Talia Al Ghul, Adam Brody as The Flash, and Hugh Keays-Byrne as Martian Manhunter.
You can check out the concept art of DJ Cotrona’s Superman from Justice League Mortal below.
While DJ Cotrona did not get his chance to play Superman due to Justice League Mortal being scrapped, the actor is set to appear in DC’s upcoming Shazam! film as the adult, super-powered form of Jovan Armand’s Pedro Peña.
The DCEU continues forward with Aquaman which is now playing and will be followed by Shazam! on April 5, 2019, Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn), on February 7, 2020, and Wonder Woman 1984 on June 5, 2020. A standalone Joker film set outside of the DC Films universe starring Joaquin Phoenix as the Clown Prince of Crime is also set to hit theaters October 4, 2019.
We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s (Angel) case, by shouting out one word—SHAZAM!—this streetwise 14-year-old foster kid can turn into the adult Super Hero Shazam (Levi), courtesy of an ancient wizard. Still a kid at heart—inside a ripped, godlike body—Shazam revels in this adult version of himself by doing what any teen would do with superpowers: have fun with them! Can he fly? Does he have X-ray vision? Can he shoot lightning out of his hands? Can he skip his social studies test? Shazam sets out to test the limits of his abilities with the joyful recklessness of a child. But he’ll need to master these powers quickly in order to fight the deadly forces of evil controlled by Dr. Thaddeus Sivana (Strong).
Directed by David F. Sandberg, the film stars Zachary Levi, Asher Angel, Mark Strong, Jack Dylan Grazer, Grace Fulton, Faithe Herman, Ian Chen, Jovan Armand, Cooper Andrews, Marta Milans, and Djimon Hounsou.
Stay tuned to Heroic Hollywood for the latest news on the future of the DC cinematic universe as we learn it.
Source: Instagram
When we talk about all-time geek franchises, Lord of the Rings has to rank pretty high on the list. J.R.R. Tolkien’s epic tale of Middle-earth inspired an entire genre and hundreds if not thousands of knock-offs, but the original will always be the best. After the wild success of Peter Jackson’s filmic adaptations, LOTR swung back into the wider public consciousness. And with that success obviously comes toys. Here are our picks for 11 Lord of the Rings toys any geek should pick up.
Super Poseable Frodo Figure
Why don’t we open up with the protagonist of the trilogy, young Frodo Baggins, who comes to his uncle’s birthday party not expecting to be shanghaied into a journey of world-shattering importance. This Toy Biz figure was laser-scanned from the actor in the films and then carefully sculpted with a huge amount of articulation, making him way more moveable than a standard figure. The little dude is armed and dangerous, ready to skulk his way up Mount Doom to trash that cursed ring.
Get it at Amazon.com
Gandalf The White Action Figure
When Gandalf apparently dies at the hands of the Balrog at the Bridge of Khazad-dûm, it’s one of the most shocking moments in fantasy fiction. His heroic sacrifice allows the Fellowship to continue on their quest, but it also robs them of their most powerful ally. When he returns later on clad all in white as the first ever Super Saiyan (we’re only sort of kidding here), it’s a big deal. This 2003 figure depicts the mighty wizard in full glory, and has a lever-operated sword-swinging mechanism so you can fend off the hordes with ease.
Get it at Amazon.com
Gollum Action Figure
Twisted by the power of the One Ring into a covetous cave-dwelling creature, Gollum is one of the most iconic characters in the LOTR universe. This action figure from NECA is ridiculously detailed, duplicating the appearance of the little dude from the movies with strings of greasy hair and tattered loincloth. 25 points of articulation allow you to make him sneak and skulk around your toy shelf with ease. Sculpted at 1/4 scale, he stands ten inches when fully upright, but how often is that going to happen? My dude isn’t known for good posture.
Get it at Amazon.com
LEGO Tower Of Orthanc
One of the most impressive movie tie-in LEGO sets ever made, the Tower of Orthanc — the massive obsidian structure that loomed over Isengard under the rule of Saruman — translates remarkably well to construction toy form. When it’s completed, this puppy stands over two feet tall with six distinct floors and a ton of interactive features — folding staircases, trap doors and a light-up palantir at the top. It even comes with an assemblable Ent to lay siege to the place. It’s been discontinued, but you can still get it from aftermarket sellers.
Get it at Amazon.com
WETA Workshop Aragorn Figure
New Zealand’s WETA Workshop was founded in 1987 to create effects and props for Peter Jackson’s indie movies and has become one of the industry’s biggest powerhouses, contributing to flicks like Mad Max: Fury Road and Alita: Battle Angel. The company also handled all of the Lord of the Rings films, of course, and they also moved into the consumer market with a series of really neat figures from those movies. These aren’t action figures per se — no articulation — but they’re cool, stylized sculpts of some of the franchise’s biggest names. This Aragorn is a great example, ready to draw his sword and throw down on the dark hordes.
Get it at Amazon.com
Shelob Figure
There are lots of really dope villains in the Lord of the Rings franchise, as the Fellowship runs up against obstacles of all types as they rush to dump the Ring. One of the most notable is Shelob, the massive spider who lurks in the Mountains of Shadow near Cirith Ungol, spinning her webs to ensnare unwary travelers. When Gollum lures Frodo and Sam to her, he expects she’ll chow down on the hobbits and spit out the Ring so he can get it back, but naturally his plan goes awry. This is a badass figure of the she-spider that has more joints than you can count on both hands for serious pose control.
Get it at Amazon.com
Mattel Ken Legolas
One of the absolute weirdest cross-platform tie-ins we’ve ever seen, Barbie’s California hunk boyfriend Ken apparently decided to get in on the cosplay boom with this seriously dope Legolas outfit. Equipped with a realistic bow and quiver of arrows, Ken is on his way to Comic-Con to hook up with a Galadriel while Barbie is at the mall or whatever. Jokes aside, this is a pretty dope rendition of the Prince of Mirkwood that will occupy a place of honor on your toy shelf.
Get it at Amazon.com
Orc Archer Figure
As anybody who’s played through the Shadow of Mordor games knows, orcs are all over Middle-Earth in hundreds of permutations. And no LOTR toy collection is going to be complete without a few of them for your heroes to give the swordly smackdown to. Our pick for padding out your orc armies is this finely detailed orc archer, who stands six inches tall when fully erect but is more comfortable squatting. Cool accessories and a little goblin helper round out the package.
Get it at Amazon.com
Plush Sauron
If you want to cuddle up with the big bad of the Lord of the Rings series, we won’t judge you. Some people just dig the naughty boys. There are a remarkably large number of stuffed buddies modeled after the heroes and villains of Tolkien’s epic, but we decided to take the road less traveled and spotlight the Dark Lord of Mordor who attempted to dominate the world in the Third Age by corrupting elves, dwarves and men with the Rings of Power. He stands ten inches tall and is filled with sturdy stuffing so he can stand on his own two feet.
Get it at Amazon.com
Bilbo Baggins Action Figure
If you pick up the Gollum above, you might as well get a Bilbo to go with him. The protagonist of The Hobbit gets all of his adventuring in before the War of the Ring starts, but he’s the pivot that puts the greater story in motion when he swipes the Ring on a lark. Little did he know that the invisibility-bestowing golden bauble was a lot more trouble than it was worth. This figure from NECA presents Bilbo in all of his adventuring regalia, with the sword Sting ready to slash away at goblins. No shoes, though, because hobbits don’t play that.
Get it at Amazon.com
Funko Pop Rides Witch King With Fellbeast
The Funko Pop Rides line always strikes us as deeply hilarious. Combining the massive bobblehead domes of the traditional Pops with super-deformed vehicles and steeds creates a sculptural shape that is rife with absurdity yet still sometimes manages to look badass. Case in point: the Witch King astride his malevolent Fellbeast from Lord of the Rings. Painted in near-obsidian black with olive and maroon accents, this evil ruler will cast a pall of misery across your Funko collection.
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“One Foot Planted,” a new installation by artists Ayelet Carmi and Meirav Heiman, explores the relationship between women, the land of Israel and the gender politics that bind the two. The work, which consists of a series of videos, envisions a post-apocalyptic version of the Holy Land, in which its female inhabitants are forced to traverse the terrain on various obstacles that keep their bodies from making contact with the earth. Some of these women walk on stilts, while others walk with orbs beneath their feet. One woman even walks on her hands — which are on stilts. The journey is painstaking. For a rough visual reference, think of it as a slowed down version of “Mad Max: Fury Road.”
Carmi and Heiman’s vision is beautifully realized. The piece, which required fifty on-screen performers — of all ages and abilities — also features extensive costuming and prop work; each actor is either carrying or pushing some kind of burden. They do this in three environments: a beach, a forest and a desert, all of which are beautifully captured on camera. The presentation of the footage with three parallel projections that create an ultra-wide, panoramic view conveys the vastness of the journey on screen. The quest of the women in Carmi and Heiman’s world is endless. As the characters of “One Foot Planted” try to make contact with Israel, they are always halted by some obstacle, which distances them from ever making contact with the ground. It is a striking visual metaphor. In a country like Israel, where so much of the national identity is about literally working the land, its women in this piece of art are able to only approach the fulfillment of that national self-determination. The message this piece sends is all the more effective when one considers its apocalyptic setting; the videos are saying that an Israel that does not let its women fully interact with the politics of the land is essentially a world at its end.
Aside from the main feature of the installation, there is a secondary screen that displays videos of women spinning on a wheel. With the camera in a stationary position looking at the wheel, the video creates the illusion of the world spinning around the trapped women, who are counting endlessly. It is another creative representation of a woman trapped, as the world spins around her. And she does not count down, as if to an end that is in sight, but up. This highlights the endless, spinning cycle that Israeli women face as they try to be fully recognized in their homeland.
Overall, “One Foot Planted” is a nuanced exploration of Israeli women and their relationship to Israel. Carmi and Heiman succeed in conveying the bleakness they see in the situation, while simultaneously imbuing it with enough beauty to imply that there is indeed hope on the horizon behind the rough terrain that women face. While on the surface it seems hopeless, “One Foot Planted” is ultimately hopeful.
“One Foot Planted” is currently in exhibition at the Kniznick Gallery at the Hadassah-Brandeis Institute. It will remain on display until June 28.
