TRIBUNJATENG.COM -- The Dark Knight adalah aksi Batman melawan Joker di kota Gotham yang dibantu Letnan Jim Gordon dan Jaksa Harvey Dent.
Film The Dark Knight telah tayang pada 18 Januari 2019 pukul 21.30 WIB di Trans TV .
Sinopsis film The Dark Knight menceritakan tentang pahlawan Batman alias milyuner bernama Bruce Wayne .
Film ini berdasarkan komik yang di-publish oleh DC Comics, sedangkan penulisan ulang naskah film ini dikerjakan Nolan Bersaudara ( Jonathan Nolan dan Christopher Nolan).
Dibintangi oleh Christian Bale , Michael Caine, Heath Ledger, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal, dan Morgan Freeman.
Disutradarai oleh Christopher Nolan yang telah sukses dengan berbagai film sebelumnya seperti Memento, Batman Begins, dan The Prestige.
Film ini bercerita tentang pertarungan Batman alias Bruce Wayne (Christian Bale).
Manusia kelelawar ini melawan musuh abadinya yakni Joker ( Heath Ledger ).
Bruce mendapat pertolongan Letnan Jim Gordon ( Gary Oldman ).
Gotham has spent more than four years paying tribute to some of the biggest Batman comics from DC's history, with books like Hush, The Killing Joke, and others getting their own moment to shine. During Thursday night's episode, titled "Penguin, Our Hero," Frank Miller's classic Dark Knight Returns was put front and center.
WARNING: Spoilers ahead for the latest episode of Gotham! Continue reading at your own risk...
Much of the episode followed Selina and Bruce on their quest to the Dark Zone to track down Jeremiah Valeska. After taking the seed to fix her back in second episode, Selina was reborn with a new, dangerous attitude, and she was hell-bent on finding the man who shot her.
On the way to take out Jeremiah, Bruce and Selina were stopped by a malicious gang led by a massive man that was never named, but he was very clearly an homage to a character from Dark Knight Returns. Just one look at the guy and anyone who read Miller's iconic title could immediately recognize him as the one and only Mutant Leader.
(Photo: FOX)
Not only does Mutant Leader have his pitch-perfect look from the comics, but he also delivers one of the lines that made people remember his gang. When first confronted by Selina, the Mutant Leader instructs his gang members to "slice & dice." Unfortunately for him, it was Selina who did the slicing and the dicing, as she decided at the beginning of the fight that she was going to take him down. She succeeded rather quickly and managed to put the Mutant Leader on the ground, trying to get Jeremiah's location out of him by clawing his face with her razor gloves. Even when the guy gave up Jeremiah's whereabouts, Selina continued hacking away, and she likely would have killed him had Bruce not intervened.
It would be surprising if Mutant Leader showed up again at some point later in the season, but it was certainly nice to see a tribute to Miller and the work he did with Batman.
New episodes of Gotham air on Thursday nights at 8 pm ET on FOX.
Widows
Director - Steve McQueen
Cast - Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Bryan Tyree Henry, Daniel Kaluuya, Liam Neeson, Jon Bernthal
Rating - 4/5
Oscar-winning British director Steve McQueen continues his streak of exposing American atrocities with his feature films. Widows, his follow-up to his 2013 Best Picture winner, 12 Years a Slave, is a nail-biting thriller whose social commentary is often more engaging than its heists.
Working off a script that he has co-written with Gillian Flynn (Gone Girl, Sharp Objects), McQueen weaves an intricate thriller that feels like it has been made by a first-time director. I say this not as a criticism - Widows is anything but amateurishly made - but more for the passion with which McQueen makes his points. It’s as if he fears losing the opportunity to make another movie, and therefore, is convinced that he must pour everything he has into this one.
Watch the Widows trailer here
Widows begins with an excellent sequence that wordlessly explains everything we need to know about its gritty depiction of Chicago and the socially and racially diverse group of characters that populates it. A crew of robbers, led by Harry Rawlings (Liam Neeson in an extended cameo), is killed after a botched job, leaving his widow (Viola Davis), like so many women before her, forced to clean up her man’s mess.
Up to her neck in debt, Veronica Rawlings assembles a new squad, made up of all the widows of the ill-fated members of Harry’s team, and puts into motion. It’s a silly idea, but McQueen lassoes it with his own unique sensibilities. He doesn’t let the inherent goofiness of the premise take away from the very real issues he wants to tackle with his film, which leans more towards the gritty melodrama of Heat than the vacuous emptiness of Ocean’s 8.
Academy Award winner Viola Davis leads Widows.
The gang violence in Chicago is so notorious that several reports suggest more Americans have been killed there than in wartime Iraq and Afghanistan. This poor reputation has inspired the unfortunate nickname Chiraq, which was made more popular by a Kanye West lyric and a Spike Lee joint.
Acclaimed documentarian Steve James even made a film about this in 2011, called The Interrupters. It was about a group of Chicagoans who - being survivors of gang violence themselves - literally interrupt street warfare, to steer young men and women away from this (self) destructive path.
From police violence and corruption to dynasty politics and modern America’s racial tensions, McQueen finds a way to make it all accessible. Widows is powerfully acted, tightly constructed, and in one scene in particular, frighteningly topical. Viola Davis has a tendency to go overboard with her performances, and there are moments in Widows in which her famous snot makes an appearance, but no one can deny her immense screen presence, especially when she’s working with an ensemble. She exudes Denzel Washington-level charisma in the role.
Widows is a new classic in the Chicago crime subgenre.
Harry had the bright idea of stealing from the mob, one of the many elements that connects Widows to Christopher Nolan’s The Dark Knight, which, despite being set in the fictional Gotham City, is perhaps one of the best Chicago crime movies ever made. Colin Farrell’s accent here will remind you of Heath Ledger’s from that classic, as will the many filming locations and Sean Bobbitt’s meticulous cinematography.
But perhaps the most prominent connective tissue between both films is Hans Zimmer’s lean, industrial, and (ironically) very masculine score. While his work in The Dark Knight trilogy was lush and expansive - keeping with his general reputation as Hollywood’s go-to composer for epic themes - he has written only about 30 minutes of music for Widows, which is about what McQueen usually uses in his films. For about an hour, the movie plays almost silently, relying on mood and dialogue more than anything else, but as it hurtles towards its propulsive conclusion, it builds into a what can only be described as noisy clanging - metallic, jarring, perfect.
Also read: The Mule movie review: Clint Eastwood, Bradley Cooper infiltrate the world of Narcos
There is little warmth to this story, but this is true for most of McQueen’s films. They’re about people struggling to escape their environments; they’re about cruelty and betrayal and unfair twists of faith. But they’re also about redemption. Widows may appear to be dressed for a funeral, but peel back the layers and more shall be revealed.
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The author tweets @RohanNaahar
First Published: Jan 18, 2019 08:49 IST
Warner Bros. and DC Films' Aquaman earned another $1 million yesterday, meaning that it'll probably start earning under $1m -per-day by Tuesday. I guess that means this will be one of the last daily updates, barring various benchmarks and milestones. Speaking of which, with $294m domestic heading into the weekend, the James Wan-directed adventure is going to almost certainly pass $300m domestic on Saturday (or at like 12:04 am on Sunday). At a glance, we're probably looking at a $9m Fri-Sun/$13m Fri-Mon weekend for a new cume of around $307m by Monday night.
So it's certainly passing $311 million to A) top Man of Steel in inflation-adjusted earnings and B) be the leggiest comic book superhero movie since Teenage Mutant Ninja Turtles ($135m from a $25m launch) in 1990. At this juncture, if it can withstand M. Night Shyamalan's Glass (and the surprisingly robust business of The Upside and Dragon Ball Super: Bolly), it'll have comparatively clear sailing until The LEGO Movie 2 and What Men Want on February 8. That applies for the other Christmas releases as well (Mary Poppins Returns, Bumblebee, Spider-Man: Into the Spider-Verse, etc.), but for Aquaman, it may mean the difference between passing Iron Man ($318m in 2008) and passing Deadpool 2 ($324m, counting Once Upon A Deadpool) and Sucide Squad ($325m in 2016).
Either way, once it passes Iron Man, it'll be (sans inflation or 3-D bumps), the fifth-biggest solo superhero origin story ever behind only Deadpool ($363 million), Spider-Man ($403m), Wonder Woman ($413m) and Black Panther ($700m). The likes of Batman v Superman ($330m in 2016), Guardians of the Galaxy ($333m in 2014) and Spider-Man 3 ($336m in 2007) may be a bridge too far, but we'll see how well it holds onto theaters (and audience interest) between now and February. Worldwide is a slightly different conversation.
The film will have around $1.045 billion worldwide as of yesterday, with a likely new global cume over/under $1.075b by Monday. That'll put it in striking distance of The Dark Knight Rises' $1.084b cume (in 2012 and sans 3-D) to make it the biggest DC Comics flick of all time. And when it passes the Chris Nolan threequel, it'll be the biggest solo superhero movie save for Iron Man 3 ($1.215b in 2013) and Black Panther ($1.346b in 2018). Fun fact: once it passes the unadjusted cume of Pirates of the Caribbean: Dead Man's Chest ($1.066b in 2006 sans 3-D), Amber Heard's Aquaman will have grossed more than any of Johnny Depp's copious global hits.
That's totally arbitrary trivia, but it's interesting nonetheless. And it has already earned more overseas (partially thanks to that $290 million haul in China) than any Time Warner/Warner Media flick save for Harry Potter and the Deathly Hallows Part II ($960m in 2011). It has already outgrossed every superhero movie overseas save for Iron Man 3 ($805m in 2013) and the first three Avengers movies ($895m in 2012, $946m in 2012 and $1.369b in 2018). Your move, Captain Marvel...
