Contact Form

 

SNL Recap Season 43 Finale: Tina Fey Hosts


A crowd filled with famous faces gathered on Saturday to witness a momentous union — and in other news, Prince Harry married Meghan Markle. For its 43rd season finale, “Saturday Night Live” brought together two powerful entertainers: Tina Fey, who hosted the episode, and the rapper Nicki Minaj, its musical guest. Among the stars who made cameos were Benedict Cumberbatch, Robert De Niro, Donald Glover, John Goodman, Anne Hathaway, Lin-Manuel Miranda and Jerry Seinfeld.

When “S.N.L.” alums return as hosts, they tend to reprise their most beloved characters from the show. For Fey, that character is unquestionably her rendition of the 2008 vice-presidential hopeful Sarah Palin. Palin didn’t show up until the final half-hour, in a sketch set in the Oval Office. It was the highlight of the evening.

“It’s me, the ghost of Sarah Palin,” Fey said as if speaking to Palin’s fans, before clarifying that she was just kidding. “I’m still alive,” she said. “But you had to think about it, didn’t ya?” Clad in a leather motorcycle jacket, Fey explained, “One minute you’re on top, and then you’re gone in the blink of a Scaramucci.” Then she sang a few bars of “What I Did for Love,” from the musical “A Chorus Line.”


Photo: NBC/NBCU Photo Bank via Getty Images

Let them eat sheet cake—and yes, yes, also fight fascism in the streets—as former head writer, Weekend Update host, and all-around badass Tina Fey returns for the season finale of SNL. While the show does find use for Fey’s most memorable recurring character, Sarah Palin, she also proffered some sketch suggestions during a visit to The Tonight Show: an all-robot reboot of The Jersey Shore, a breast pump that rates the user’s boobs, and a character called “Mitt Promney.” Eh, none of these other bits made the cut, but Fey surely had some input at least in regard to the political satire (and a commercial parody about Chicago improv).

Donald Trump Robert Mueller Cold Open

Donald Trump (Alec Baldwin) arrives at Holsten’s Restaurant in Bloomfield, New Jersey, and immediately plays Journey’s “Don’t Stop Believin’”—à la the series finale of The Sopranos. While the song plays, Rudy Giuliani (Kate McKinnon), Michael Cohen (Ben Stiller) and Donald Trump Jr. (Mikey Day) show up to reminisce about Giuliani’s TV appearances (“I told them you were colluding but I ended with ‘So what?’”) and Cohen’s rough week (in which he was “mostly just preparing to go to jail and stuff”). Then Robert Mueller (Robert De Niro) comes in, and Trump seems to be the only person who sees the special investigator. The sketch ends just as The Sopranos did, an ambiguous blackout. Lots of drop-in roles, sure, but it’s a real scene with a nice arc to it. And while Baldwin may be sick of playing Trump, McKinnon’s mad, bug-eyed Giuliani is entirely gratifying.

Tina Fey Opening Monologue

Because Fey has been working at SNL for so long, she says the producers let her do anything she wants to do for the monologue. So she takes questions from random audience members; the first one is Jerry Seinfeld. Does Fey wonder if there are just too many celebrity cameos these days? Benedict Cumberbatch is there, too, and wants to know if SNL ever considered replacing Kenan Thompson with someone more well-known. (This was Chris Rock’s question, too.) De Niro wonders if people knew he was playing Mueller, and Anne Hathaway is just excited De Niro is there. Fred Armisen is loath to take up airtime that newer cast members might need, but Fey should hear about his new juice guy. Donald Glover and Tracy Morgan finish things off. It’s a smorgasbord of a monologue, and a memorable one.

Royal Wedding

It’s 2 a.m. at the reception for the royal wedding, and Prince Harry (Day) guides viewers around the room of drunken revelers. He checks in with Kate Middleton (Cecily Strong), Prince Charles (Beck Bennett), Prince William (Alex Moffat), his “Aunt Creepy” (Fey), Elton John (Aidy Bryant), Russell Brand (Pete Davidson) and Queen Elizabeth (McKinnon) talking to Meghan Markle’s great-uncle (Thompson). If that feels like a lot of names, it is. The sketch doesn’t have much of shape to it, it’s just quick bits tied together in a nod to the royal wedding frenzy. The best duo, Elizabeth and Markle’s great-uncle, highlights the gulf between the Royals and their new American family. Beyond that, it’s just broad stuff like Sir Elton swapping words in his songs so they’re wedding-appropriate.

Morning Joe

For this edition of Morning Joe, Mika Brzezinski (McKinnon) and Joe Scarborough (Moffat) make kissy faces at one another while considering headlines including one of the Trump team’s ugly comments about John McCain and new questions about Trump’s potential collusion with Russia. For the former, they invite Megan McCain (Bryant) on and only end up talking over the top of her. For the latter, Russian lawyer Natalia Veselnitskaya (Fey) defends her meeting with the Trump team, saying things such as, “Very easy meeting, very fun, no one was poisoned.” Even if the sketch leans heavily on the cutesy aspects of the Mika-Joe relationship, the two news items are tackled in clever ways.

Mean Girls

In this taped segment, Fey tells everyone that her friends—including SNL cast members Aidy Bryant and Cecily Strong—want her to appear in her Mean Girls musical on Broadway. In fact, they’re all a little concerned about her interest in doing so. Even the show’s director Casey Nicholaw and songwriter Jeff Richmond (who is also Fey’s husband) don’t seem thrilled about bringing Fey on board. Still, they get her in the rehearsal room and try to get her dancing and singing. It doesn’t go well, and though she has a bone to pick with Lin-Manuel Miranda, she does come to terms with her hubris. It’s not brilliant but it feels as though there had to be some kind of Mean Girls commercial in here somewhere.

Weekend Update

First, the Update hosts focus on the one-year anniversary of Robert Mueller’s investigation and other Trump-related events. There’s a fun play on the whole Yanny/Laurel debate, in which Jost posits that everyone hears what they want to hear about the Russia probe based on their opinions about Trump. In an interview clip, a robotic voiceover intones, “There was no collusion, it’s a witch hunt,” followed by the same clip with this v.o.: “I’m getting away with it, bitches.” Michael Che says it’s rare to root for the FBI as a black man, but that the probe feels like “watching Rachel Dolezal get kicked out of a Starbucks.” Eric and Donald Trump Jr. (Alex Moffat and Mikey Day) return to talk about the latest collusion news. The bit’s formula is clear. Infantile Eric blurts out things like “I have a pornographic memory,” and the slick flim-flammer Don Jr. tries to occupy Eric’s time with a new toy—here, it’s a Play-Doh factory. As there are no surprises, there are diminishing returns.

In the second half, Che talks about the news that confirmed most marijuana arrests in New York are of blacks and Latinos. He says police need to search more white dudes with cargo shorts; if they did, jail would “look like a Dave Matthews concert.” Later, Kenan Thompson comes on as Chicago bishop Michael Curry, who married Prince Harry and Meghan Markle. With so many white people around, he wonders if Darius Rucker feels the same way, and likens his appearance to “a chicken-and-waffles kiosk in a Pottery Barn.” At the conclusion, Che and Jost try out some of the material they deemed too offensive to deliver at previous times. Yeah, they’re in poor taste, but completely worth it.

Pervert Hunters

For this Dateline show, host Dana Milbrook (Fey) wants to stop human trafficking by catching those who hire prostitutes online. When one perv (Bennett) arrives to meet who he thinks is a prostitute called Svetla, Milbrook emerges from the shadows to shame him. This is TV, though, so when she flubs a line, she and the show’s director (Day) ask the perv if he can re-enter the house and try the scene again. After some pleading and more takes in which he is crying, the perv gets on board and starts having fun, too; he’s even trying some of his lines in a British accent. All the fun doesn’t stop law enforcement officers from tackling the guy when the shoot is finally done. It’s an enjoyable showbiz what-if, and surely criminals become seduced by their 15 minutes of fame in reality from time to time.

Sarah Palin Advice

“I’m still alive, but you had to think about it, didn’t ya?” Thus marks the return of Sarah Palin (Fey), as she bemoans the ups and downs of politics. She reminds the audience she was once a vice-presidential candidate that now “gets paid to tweet for Bass Pro Shops.” She is soon joined by Sarah Huckabee Sanders (Bryant), Kellyanne Conway (McKinnon), journalist Michael Wolff (Armisen), Omarosa (Leslie Jones), and Rex Tillerson (John Goodman). As a group, they sing a version of A Chorus Line’s “What I Did for Love,” which turns into a lament about the things they “did for Trump.” Each party has a different connection to Trump, so it’s a nice, silly tapestry of perspectives.

Talent Show

During this high school talent show, a mother-and-daughter team of Roberta and Susan (Fey and Melissa Villaseñor) get onstage to sing a duet of “Girls Just Want to Have Fun.” The only hitch is that the morose, black-clad Susan is a little too hardcore to bop around and look cute with her mom. Susan swaps some of the original song lyrics with some subversive ideas about really living her life right—Bill Gates not going to college and Mom refusing to drive her to the protest. Meanwhile, the emcee (Thompson) allows it all to go on because he and Roberta are having sex. “The booty is worth it,” he sighs at one point. Susan eventually gets the DJ to pay System of a Down’s “Chop Suey,” and both the mom and the crowd get into it. It’s slight but winning.

Chicago Improv

This Dick Wolf show, an ostensible spin-off of Chicago Fire and Chicago P.D., exposes the “cut-throat world of the improv comedy scene” in the Windy City. The dialogue, which is “ripped from real-life improv classes,” involves references to object work and sweep edits that confound the critics. (“What the hell was everything they just said?” wonders one.) When one of the improvisers on the team announces that he’s booked a couple of local commercials, it’s a bombshell. Even Improv Magazine feels there’s just “too much improv.” The whole thing is pretty delightful—though, truth be told, it might fall flat for someone that doesn’t love improv at least a little.

If there’s anyone who knows how the show works, and can make it work for her, it’s Fey. Her timing and playful characterizations delight, as usual. Yes, as all the celebrities in Fey’s monologue pointed out, there are a lot of celebrity cameos in SNL—and in this episode, in particular. Other than Baldwin, who seems to be just punching the clock and waiting to be done doing Trump altogether, just about everyone pays off. While there’s not a lot in the episode that will stand out once the weekend is over, it’s a consistent show with many well-made and funny sketches.


CLOSE During "Weekend Update," Kenan Thompson was interviewed as Bishop Michael Curry, who gave a passionate, American-style sermon during the nuptials of Prince Harry and Duchess Meghan earlier that day. Wochit

Tina Fey sure knows how to kick off a show.

The comedian transformed her Saturday Night Live monologue into a star-studded Q&A during the show's season finale late Saturday.

Jerry Seinfeld started off the celebrity cameos with an apt question about, well, celebrity cameos.

"Yes, hi. I have a question," Seinfeld said. "Do you think the show has too many celebrity cameos? Because I'm worried the cast isn't getting the chance to grow."

"Yeah, I agree," Fey replied. "I think it kind of hurts the show a little bit."

Tina Fey returned to 'Saturday Night Live' and brought a bunch of celebrity friends along for cameos. (Photo: ANGELA WEISS/AFP/GETTY IMAGES)

Benedict Cumberbatch and Chris Rock continued to joke about celebrities taking over the show by suggesting SNL favorite Kenan Thompson had been replaced by someone "slightly more famous."

Fred Armisen brought up the fact that many former cast members (such as himself and Fey) "hang around the show all the time."

Tina's got time for a few more questions... #SNLFinalepic.twitter.com/tdTzQDbDCq — Saturday Night Live - SNL (@nbcsnl) May 20, 2018

"Yeah, but doesn't a part of you feel like when we come back, we take up time that should go to the new people on the show?" Fey asked.

"You know, that's a good point. I guess we shouldn't take up all that time the new people should be using," Armisen replied before using up time to tell Fey about his new juicing program.

Robert De Niro, Anne Hathaway, Donald Glover and Tracy Morgan also made appearances.

MORE 'SNL'

'Saturday Night Live' imagines Bishop Michael Curry's response to royal wedding

Melissa McCarthy is hilarious as Michael Che's 'stepmom' on 'Saturday Night Live'

Tina Fey chokes up while talking about Gilda Radner at 'Love, Gilda' premiere

Read or Share this story: https://usat.ly/2GxxJKB


Tina Fey hosted the May 19 season finale of “Saturday Night Live” and reprised her role as Sarah Palin in a sketch about the ghosts of the White House’s past.

“I was the first female on a Republican presidential ticket and now I tweet for Bass Pro Shops,” she said. “Take it from me, politics are a wild ride. One minute you’re on top and then you’re gone in the blink of a Scaramucci.”

Fey’s Palin came with a message for everyone in Trump’s White House: “Enjoy your moment,” she said. “Who knows how long it’ll last.”

After singing a few bars of “What I Did For Love,” Fey was joined by Aidy Bryant’s Sarah Huckabee Sanders, who called them “both classic Beckys”.

When Fey’s Palin asked what Bryant’s Sanders would do if today was her last day in the White House, Bryant broke into her own rendition of the classic “A Chorus Line” number that included the rewritten lyrics “Kiss the White House goodbye and point me to Fox News.”

The Sarah-duo was later joined by Kate McKinnon’s Kellyanne Conway, who floated down on wires to sing her own lines about leaving the White House; Fred Armisen’s Michael Wolf, who said he’ll be back because he’s writing about Jared Kushner and Ivanka Trump; Cicely Strong’s Stormy Daniels who plugged everything from a Ted Talk to a “star-spangled boner” tour; John Goodman’s Rex Tillerson who said being fired by Trump was the best thing that ever happened to him; and Leslie Jones’ Omarosa Manigault Newman who claimed to have fired herself.

Each cast member sang about “what they did for Trump,” with Fey’s Palin pointing out “I would work for Trump!

Watch Fey take on Palin once again below:

Total comment

Author

fw

0   comments

Cancel Reply