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Was Lindsey Buckingham Fired From Fleetwood Mac or Not? A Source Weighs In …


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Lindsey Buckingham’s latest departure from Fleetwood Mac certainly upheld the group’s longstanding penchant for drama.

No sooner had Variety confirmed that he’d left the band than word came, literally minutes later, that they’d already replaced him — with longtime Tom Petty & the Heartbreakers guitarist Mike Campbell and Crowded House frontman Neil Finn. The confirmation sealed several days of speculation after Billy Burnette — one of two guitarists hired to replace Buckingham last time he left the band 31 years ago — wrote in a hastily deleted tweet on April 4: “Breaking news: Lindsey Buckingham is out but I’m not in. A little pissed off but I’ll get over it.”

While sources told both Variety and Rolling Stone that Buckingham was fired, a source close to the situation says it’s a matter of semantics that requires some backstory.

Even by the quintet’s standards — and Fleetwood Mac is a group in which every member got divorced (legally or otherwise), four of them from each other, at the height of their popularity in the 1970s — the past few months have been dramatic. Last summer, the group coheadlined with the Eagles the “Classic West” and “Classic East” festivals in Los Angeles and New York, respectively. The dates landed smack in the middle of a tour by Buckingham and Mac keyboardist/singer Christine McVie — who were supporting a new album they’d made together after reports that Mac singer Stevie Nicks no longer wanted to make albums with the band.

Related Fleetwood Mac to Tour With Neil Finn, Mike Campbell as Lindsey Buckingham's Replacements (EXCLUSIVE) Lindsey Buckingham Fired by Fleetwood Mac

Asked by the Los Angeles Times about the nostalgic nature of the “Classic” concerts, Buckingham said, “It doesn’t necessarily speak of the aspiration to present anything in the way that Fleetwood Mac would want to present it on its own terms. I was going to put it less diplomatically, but I stopped myself,” he said.

“Do the undiplomatic version,” McVie said. “What were you going to say?”

“I was going to say, ‘Just close your eyes and take the money,'” Buckingham answered.

In January, the band was honored as MusiCares Person of the Year with a concert at New York’s Radio City Music Hall during Grammy Week. Former President Bill Clinton inducted the group (pictured above) and a number of acts covered their songs, including Miley Cyrus, Keith Urban, Lorde, Alison Krauss, Imagine Dragons, Little Big Town, Zac Brown Band, Jared Leto and Harry Styles, who not only introduced the band but joined them for “The Chain.” The group then played a short set to close out the night — which apparently was Buckingham’s last performance with them for the time being.

Regardless of his comments, Buckingham was enthusiastic onstage during last summer’s concerts and at the MusiCares event.

So was he fired or did he quit? Or, as is often the case with relationships that stretch back nearly 50 years, was it both and neither?

A source close to the situation tells Variety that although the group was on a high note after the MusiCares event, and had announced last spring that it planned to tour this year, Buckingham was reluctant because he wanted to focus on solo material. The other four bandmembers — Nicks, McVie, bassist John McVie and drummer Mick Fleetwood — were eager and ready to tour, and after failing to obtain a commitment from Buckingham, told him they were proceeding with plans to tour without him. Suggestions that the group make an announcement along those lines were not acted upon.

Does that mean he was fired, which is defined by Merriam-Webster as being “dismissed from a job”? Well, yes and no.

The parting is at least outwardly amicable, with the group wishing Buckingham “all the best” in its announcement. Yet a Fleetwood Mac tour is not a financial proposition to be considered lightly. The group’s 2014-2015 tour, which sprawled over 13 months and 120 dates, grossed nearly $200 million, according to Pollstar. And while that represented the classic lineup’s first tour together since 1997, the two-day Classic East and West shows, which saw the group headlining with the Eagles, grossed $16 million and $17 million respectively, according to Pollstar.

Clearly, given the speed of today’s announcement and the fact that Burnette announced five days ago that he was not part of the latest incarnation of the band, today’s news has been in the works for several weeks at least.

And it all adds another chapter to a five-decade-long dance that, after drugs, divorce, disillusion and lots of other dramatic words beginning with “d,” continues to unfold.


(CNN) Fleetwood Mac and Lindsey Buckingham are cutting ties.

A representative for the band confirmed to CNN on Monday that Buckingham and the band have parted ways and that he will not be going on tour with them in the fall.

"Lindsey Buckingham will not be performing with the band on this tour," a statement read. "The band wishes Lindsey all the best."

The representative would not provide any further details as to what led to his departure. A source close to the band told CNN that the split was "over musical differences regarding the tour." A representative for Buckingham referred questions to the band.

Buckingham joined Fleetwood Mac in 1974, the same year as the band's longtime lead singer, Stevie Nicks. Buckingham, who has since served as the lead guitarist for the band, wrote some of the band's most well-known songs including "Go Your Own Way," which was the lead single off the band's highly successful 1977 album, Rumours.

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Now this is Peak Mac. Could this happen to any other band? Fleetwood Mac, the crew that loves breakup drama more than any other six or seven bands combined, topped their own standards on Monday, with the announcement that they'd fired Lindsey Buckingham. This split is more than one of the year's strangest headlines – it's a new dysfunctional chapter for the fivesome who wrote the book on packing up and shacking up. This is the most quintessential Fleetwood Mac move they've ever made. Any band can explode a time or three, but only these guys could break up continuously for 40 years, putting each other through untold agonies and then always coming back together for more punishment. The Mac is dead; long live the Mac.

Related Broken Chain: A History of Fleetwood Mac Firings and Departures Lindsey Buckingham's firing is just the latest in a decades-long game of musical chairs for the Hall of Fame band

If these were any other rock stars, you'd suspect them of staging a split so they can squeeze in one more tearful reunion tour before they hit their eighties – Coachella 2023, here they come. But if there's anything we know for sure about Fleetwood Mac, it's that they have no ability to control the torture they inflict on each other (or on us). They are the band destiny has doomed to suffer for our sins, acting out every couple's messiest secrets in public, reliving every stage of the pain cycle in a ritual repetition, like five Siddharthas of heartbreak. "Lightning strikes, maybe once, maybe twice"? They should be so lucky. Only these five gypsies could keep getting hit with the same lightning bolt over and over, electroshocking each other into eternity.

In the band's most recent appearance on January 26th, to accept the award for MusiCares Person of the Year at New York's Radio City Music Hall, Lindsey Buckingham admitted they thrived on the conflict. "It was much of the attraction and much of the fuel for our material," he told the crowd, "Not very far below that level of dysfunction is what really exists and what we are feeling even more now in our career, which is love. This has always been a group of chemistry." They undermined each other's speeches – Buckingham, Mick Fleetwood and Christine McVie all mocked Stevie Nicks as she spoke – before playing a set of five classic breakup songs, ending with (what else?) "Go Your Own Way." You couldn't have scripted a better final scene.

As for all that "love" Lindsey mentioned, well, this is a band of players, and they only love you when they're playing. Barely two months after the MusiCares ceremony, Fleetwood Mac dropped the bombshell that they're hitting the road with two replacement guitarists: Mike Campbell, from Tom Petty and the Heartbreakers, and Neil Finn from Crowded House. "We are thrilled to welcome the musical talents of the caliber of Mike Campbell and Neil Finn into the Mac family," the statement said. "Fleetwood Mac has always been a creative evolution. We look forward to honoring that spirit on this upcoming tour." As Mick Fleetwood elaborated to Rolling Stone, "We know we have something new, yet it's got the unmistakable Mac sound."

Self-sabotage is a key part of the Mac mythos, so this twist is just kind of perfect. As a great woman once sang, rulers make bad lovers, and the classic Fleetwood Mac lineup is four rulers battling for an extra inch or two of control, always threatening to flounce. And as they've documented in their songs, they've shared epic badness as lovers. Even John McVie, who has never shown any visible aspiration to rule anything besides his bass and the occasional ballcap, is tangled in the breakup history. Imagine playing that funk bass line on "You Make Loving Fun" – then imagine you're playing it for a song your ex-wife wrote about her new guy, who is the band's lighting director. During the making of Rumours, Mick Fleetwood called Stevie Nicks into the studio parking lot to tell her they were cutting "Silver Springs" from the album, for no reason except everybody else was mad at how good it was.

That's a key reason why we gravitate to the Mac. Ever since Rumours, this group has symbolized the idea of a broken community forced to keep living and working together, reliving their worst memories. As John once said, "About the only people in the band who haven't had an affair are me and Lindsey." Even at their poppiest, the songs are full of pain, which is why they remain so alive, whether it's Harry Styles covering "The Chain" or Lorde doing "Silver Springs." That mystique will remain even if Harry replaces Lindsey. Or if Lorde replaces Stevie. Or if Selena and Justin replace both of them. Hell, maybe all five band members can get replaced by Fifth Harmony, so Camila Cabello can sing "Never Going Back Again" until they eject her offstage with a cannon, like they did to her body double at the VMAs. But these five Mac lifers will never be able to escape each other. They are cursed to keep picking up the pieces and going home.

Even before Stevie and Lindsey joined in 1974, the band had a long history of changes. (Original leader Peter Green was a guitar god with his own moody beauty in "Underway," "Jumping at Shadows" and "Man of the World," until he sadly disintegrated.) But there was always something especially combustible about the Buckingham/Nicks chemistry – in Stevie's words, "the five original cast members" – as they poured their trauma into Rumours, Tusk and Mirage. When Lindsey quit on the eve of their 1987 tour, they replaced him with little-known sidemen Billy Burnette and Rick Zito. (This line-up actually released a couple of albums, strange as it seems.) He returned for the 1997 reunion The Dance, the album that defined the Mac legend as we know it today, an album that's older now than Rumours was at the time.

It was only four years ago that Christine McVie rejoined, bringing the classic lineup back together. Just last year, she and Buckingham released their surprise duet, Buckingham McVie, featuring four fifths of the Mac – it would have been their big reunion album, except Stevie bowed out to do a solo tour. It had a theme song for their On With the Show tour, two years after it ended. Typical for this crew. As Lindsey recalled to Rolling Stone in 1984, around the time of his brilliant and demented solo album Go Insane, "I can remember during Rumours, saying to Mick, 'Well, things don't seem to be going exactly the way I would like them to go.' And he said, 'Well, maybe you don't want to be in a group.'" (Mick Fleetwood, unlikely voice of reason.) In the same interview, Lindsey claims his bandmates, none of whom he's seen in two years, are plotting to replace him with another guitarist – Pete Townshend. Too bad they didn't call Pete this time.

Lindsey has always been a mystery man – with his eccentric obsessions and solitary work habits, he's been in the odd position of an underrated weirdo cult genius who happens to lead one of the world's biggest bands. His songs on Tusk – "Not That Funny," "What Makes You Think You're the One," the peerless "I Know I'm Not Wrong" – are the core of the Lindsey mystique, homemade solo space-case guitar sketches. Not far off from the music Alex Chilton or Mark E. Smith or the Swell Maps were making at the time, or the music Pavement and Sebadoh made a decade later. (It can barely be overstated how bizarre it is that "Tusk" was a Top Ten single. I mean, cocaine was popular in the 1970s, but not that popular.) Lindsey seems like the exact opposite personality type to be in any band – least of all this one. It's an ironic fate for the guy who wrote "Never Going Back Again" – a song about a man trapped in a cyclical on-and-off affair, vowing that he'll finally move on this time, until that finger-picking guitar lick loops back around and he's right where he started. Been down one time, been down two times, keeping going back up and down in perpetuity.

In a way, the quintessential Lindsey moment is his "yeeeaaah" at the end of Christine's "Say You Love Me," while the band is chanting the final "falling, falling, falling." What the hell is that "yeeeaaah" doing there? It's a solo Lindsey cameo that's wildly out of place in this song, which isn't by him, or even about him. Yet his acerbic voice adds the dash of salt that makes the song complete. Everybody's songs get improved by Lindsey butting in – the best example would be his sneer in the chorus of another Christine song, "Little Lies." ("Tell me, tell me, tell me liiiies!") He sounds exasperated and pissed, even though he's neither the liar nor the lied-to. But without the authentic spite he adds, "Little Lies" would be a fraction as powerful as it is.

Lindsey and Stevie talked to Rolling Stone's Andy Greene in 2012, in an astounding he-said she-said interview that reads like couples therapy. "Lindsey and I will always be dramatic," Stevie confesses, maybe unnecessarily. Lindsey adds, "We're a group of people who, you could make the argument, don't belong in the same band together. It's the synergy of that that makes it work. It also sort of makes us the anti-Eagles in terms of never, ever being on the same page." Yes, you could make the argument these people don't belong in the same band – but in a way, Fleetwood Mac's music is that argument, which is why they resonate on a level the Eagles never could. Their meltdowns are a crucial part of their artistic statement. Lindsey and the band are permanently mismatched, yet permanently linked. And that's why their latest break-up is just another reason we hear ourselves in their story and their music. May they keep breaking up forever.

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