Best Metal Performance: “Sultan’s Curse” — Mastodon
Best Rock Song: “Run” — Foo Fighters
Best Rock Album: “A Deeper Understanding” — The War on Drugs
Best Alternative Music Album: “Sleep Well Beast” — The National
Best R&B Performance: “That’s What I Like” — Bruno Mars
Best Traditional R&B Performance: “Redbone” — Childish Gambino
Best R&B Song: “That’s What I Like” — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars)
Best Urban Contemporary Album: “Starboy” — The Weeknd
Best R&B Album: “24K Magic” — Bruno Mars
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Best Rap Performance: “HUMBLE.” — Kendrick Lamar
Best Rap/Sung Performance: “LOYALTY.” — Kendrick Lamar featuring Rihanna
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Best Rap Song: “HUMBLE.” — K. Duckworth, Asheton Hogan and M. Williams II, songwriters (Kendrick Lamar)
Best Rap Album: “DAMN.” — Kendrick Lamar
Best Country Solo Performance: “Either Way” — Chris Stapleton
Best Country Duo/Group Performance: “Better Man” — Little Big Town
Best Country Song: “Broken Halos” — Mike Henderson and Chris Stapleton (Chris Stapleton)
Best Country Album: “From a Room: Volume 1” — Chris Stapleton
Best New Age Album: “Dancing on Water” — Peter Kater
Best Improvised Jazz Solo: “Miles Beyond” — John McLaughlin, soloist
Best Jazz Vocal Album: “Dreams and Daggers” — Cécile McLorin Salvant
Best Jazz Instrumental Album: “Rebirth” — Billy Childs
Best Large Jazz Ensemble Album: “Bringin’ It” — Christian McBride Big Band
Best Latin Jazz Album: “Jazz Tango” — Pablo Ziegler Trio
Best Gospel Performance/Song: “Never Have to Be Alone” — CeCe Winans
Best Contemporary Christian Music Performance/Song: “What a Beautiful Name” — Hillsong Worship
Best Gospel Album: “Let Them Fall in Love” — CeCe Winans
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Best Contemporary Christian Music Album: “Chain Breaker” — Zach Williams
Best Roots Gospel Album: “Sing It Now: Songs of Faith & Hope” — Reba McEntire
Best Latin Pop Album: “El Dorado” — Shakira
Best Latin Rock, Urban or Alternative Album: “Residente” — Residente
Best Regional Mexican Music Album (Including Tejano): “Arriero Somos Versiones Acústicas” — Aida Cuevas
Best Tropical Latin Album: “Salsa Big Band” — Rubén Blades con Roberto Delgado y Orquesta
Best American Roots Performance: “Killer Diller Blues” — Alabama Shakes
Best American Roots Song: “If We Were Vampires” — Jason Isbell and the 400 Unit
Best Americana Album: “The Nashville Sound” — Jason Isbell and the 400 Unit
Best Bluegrass Album: tie, “Laws of Gravity” — The Infamous Stringdusters and “All the Rage — In Concert Volume One” — Rhonda Vincent and the Rage
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Best Traditional Blues Album: “Blue & Lonesome” — The Rolling Stones
Best Contemporary Blues Album: “TajMo” — Taj Mahal and Keb’ Mo’
Best Folk Album: “Mental Illness” — Aimee Mann
Best Regional Roots Music Album: “Kalenda” — Lost Bayou Ramblers
Best Reggae Album: “Stony Hill” — Damian “Jr. Gong” Marley
Best World Music Album: “Shaka Zulu Revisited: 30th Anniversary Celebration” — Ladysmith Black Mambazo
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Best Children’s Album: “Feel What U Feel” — Lisa Loeb
Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling): “The Princess Diarist” — Carrie Fisher
Best Comedy Album: “The Age of Spin/Deep in the Heart of Texas” — Dave Chappelle
Best Musical Theater Album: “Dear Evan Hansen” — Ben Platt, principal soloist; Alex Lacamoire, Stacey Mindich, Benj Pasek and Justin Paul, producers; Benj Pasek and Justin Paul, composers/lyricists (original Broadway cast recording)
Best Compilation Soundtrack for Visual Media: “La La Land” — Various Artists
Best Score Soundtrack for Visual Media: “La La Land” — Justin Hurwitz, composer
Best Song Written for Visual Media: “How Far I’ll Go” — Lin-Manuel Miranda, songwriter (Auli’i Cravalho)
Best Instrumental Composition: “Three Revolutions” — Arturo O’Farrill, composer (Arturo O’Farrill and Chucho Valdés)
Best Arrangement, Instrumental or A Cappella: “Escapades for Alto Saxophone and Orchestra From ‘Catch Me If You Can’” — John Williams, arranger (John Williams)
Best Arrangement, Instruments and Vocals: “Putin” — Randy Newman, arranger (Randy Newman)
Best Recording Package: tie, “Pure Comedy (Deluxe Edition)” — Sasha Barr, Ed Steed and Josh Tillman, art directors (Father John Misty) and “El Orisha de la Rosa” — Claudio Roncoli and Cactus Taller, art directors (Magín Díaz)
Best Boxed or Special Limited-Edition Package: “The Voyager Golden Record: 40th Anniversary Edition” — Lawrence Azerrad, Timothy Daly and David Pescovitz, art directors (Various Artists)
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Best Album Notes: “Live at the Whisky A Go Go: The Complete Recordings” — Lynell George, writer (Otis Redding)
Best Historical Album: “Leonard Bernstein — The Composer” — Robert Russ, compilation producer; Martin Kistner and Andreas K. Meyer, mastering engineers (Leonard Bernstein)
Best Engineered Album, Non-Classical: “24K Magic” — Serban Ghenea, John Hanes and Charles Moniz, engineers; Tom Coyne, mastering engineer (Bruno Mars)
Producer of the Year, Non-Classical: Greg Kurstin
Best Remixed Recording: “You Move (Latroit Remix)” — Dennis White, remixer (Depeche Mode)
Best Surround Sound Album: “Early Americans” — Jim Anderson, surround mix engineer; Darcy Proper, surround mastering engineer; Jim Anderson and Jane Ira Bloom, surround producers (Jane Ira Bloom)
Best Engineered Album, Classical: “Shostakovich: Symphony No. 5; Barber: Adagio” — Mark Donahue, engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)
Producer of the Year, Classical: David Frost
Best Orchestral Performance: “Shostakovich: Symphony No. 5; Barber: Adagio” — Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
Best Opera Recording: “Berg: Wozzeck” — Hans Graf, conductor; Anne Schwanewilms and Roman Trekel; Hans Graf and Brad Sayles, producers (Houston Symphony; Chorus of Students and Alumni, Shepherd School of Music, Rice University and Houston Grand Opera Children’s Chorus)
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Best Choral Performance: “Bryars: The Fifth Century” — Donald Nally, conductor (PRISM Quartet and The Crossing)
Best Chamber Music/Small Ensemble Performance: “Death & the Maiden” — Patricia Kopatchinskaja and the Saint Paul Chamber Orchestra
Best Classical Instrumental Solo: “Transcendental” — Daniil Trifonov
Best Classical Solo Vocal Album: “Crazy Girl Crazy” — Barbara Hannigan (Ludwig Orchestra)
Best Classical Compendium: “Higdon: All Things Majestic, Viola Concerto & Oboe Concerto” — Giancarlo Guerrero, conductor; Tim Handley, producer
Best Contemporary Classical Composition: “Viola Concerto” — Jennifer Higdon, composer (Roberto Díaz, Giancarlo Guerrero and Nashville Symphony)
Best Music Video: “HUMBLE.” — Kendrick Lamar
Best Music Film: “The Defiant Ones” — Various Artists
“It’s an honor top share this with you all tonight,” he told them. In addition to Mr. Mars, the winners were Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip.
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Kesha and a #MeToo moment.
In the days leading up the awards, the Grammys faced scrutiny over how the show — and the music industry at large — would respond to the #MeToo movement and the show of solidarity at the Golden Globes this month, when the women of Hollywood, wearing black, presented a united front.
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In a forceful speech, the singer and actress Janelle Monáe spoke for the women of the music industry, calling for a unified response of the women in music against sexism and sexual harassent, saying, “We come in peace but we mean business.”
“You see, it’s not just going on in Hollywood, it’s not just going on in Washington,” she said. “It’s right here in our industry as well.”
“And just as we have the power to shape culture,” Ms. Monáe added, “we also have the power to undo a culture that does not serve us well.”
Then Kesha sang “Praying,” her ballad of anger and redemption, surrounded by women all in white, including the singers Cyndi Lauper, Camila Cabello, Julia Michaels and Andra Day and the Resistance Revival Chorus, a collective of women who sing protest songs. Kesha became pop’s symbol of the fight against sexual assault when, in a 2014 lawsuit, she accused her producer, Dr. Luke, of inflicting years of abuse. (Dr. Luke, whose real name is Lukasz Gottwald, in turn accused Kesha of fabricating the story in an attempt to escape her recording contracts.)
Her voice breaking, Kesha sang “You brought the flames and you put me through hell,” and “When I’m finished, they won’t even know your name.”
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As she finished, she held back tears and the choir gathered around her in a group embrace.
Immediately afterward, Camila Cabello, a young Cuban-Amerian singer who had been part of Kesha’s segment, introduced a segment highlighting immigration, with the cameras turning to a view of the Statue of Liberty and Emma Lazarus’s poem “The New Colossus” (“Give me your tired, your poor, / Your huddled masses yearning to breathe free”). Then U2 performed its song “Get Out of Your Own Way” on a barge in New York harbor. (The performance had been taped two nights before.)
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A striking opening.
The 60th annual Grammy Awards opened with a striking conceptual performance by Kendrick Lamar and by Bono and the Edge of U2, with Dave Chappelle serving as a one-man Greek chorus. It walked a fine line between confrontational political commentary and grounding comedy.
Mr. Lamar began surrounded by phalanxes of soldiers in camouflage fatigues as he began his song “XXX” with images of American flag waving behind him on digital screens. After the words “This is a satire by Kendrick Lamar” flashed behind him, and a brief appearance by Bono and the Edge, the camera cut to Mr. Chappelle, who said: “The only thing more frightening than watching a black man be honest in America is being an honest black man in America.”
The show then alternated again between Mr. Lamar and Mr. Chappelle, before ending with Mr. Lamar standing among men in red hoodies who were gunned down one by one.
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Lady Gaga then took the stage to sing her ballads “Joanne” and “Million Reasons” at a white piano draped with the wings of a bird or an angel. “Time’s up,” she said.
Mr. Lamar then took the first prize of the night, for best rap/sung performance, for “LOYALTY.,” featuring Rihanna, who told him: “Congrats. You deserve this, man.”
Accepting the award for best rap album, Mr. Lamar delivered a paean to hip-hop itself, which, he said, had “showed me the true definition of what an artist was.”
“From the jump I thought it was about the accolades, and the cars and the clothes,” Mr. Lamar said. “But it’s really about expressing yourself, putting that paint on the canvas for the world to evolve for the next listener, the next generation after that.”
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Then he paid tribute to his artistic heroes, including Jay-Z, Nas and Puff Daddy, and added, as the ultimate obeisance: “Jay for president.”
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Alessia Cara wins best new artist.
Alessia Cara, a 21-year-old Canadian pop singer who has songs of empowerment like “Scars to Your Beautiful.” After the microphone was lowered reach her, Ms. Cara, who was also wearing a white rose, said: “Holy cow, I’m shaking. I’ve been pretend-winning Grammys since I was a kid, like in my shower.”
All but nine of the 84 awards were given out at a nontelevised ceremony in the afternoon.
During the preshow ceremony, Mr. Lamar won best rap performance, best rap song and best music video, all for “HUMBLE.” Mr. Mars won best R&B performance and R&B song for “That’s What I Like,” and best R&B album for “24K Magic.”
Mr. Lamar and Mr. Mars will face each other for both record and album of the year, although their greatest competition in those categories — and, for Mr. Mars, in song of the year, a songwriters’ award — may be Jay-Z, who now holds the position of a deeply respected elder. Despite 21 past wins, he has never taken home a Grammy in the top categories. Jay-Z had the most nominations of any artist this year, with eight, and was feted as an “industry icon” at Clive Davis’s glittery annual pre-Grammy party.
Ed Sheeran, who was snubbed in the top categories, was awarded best pop vocal album, in absentia, for “÷,” one of last year’s biggest hits. He also won best pop solo performance for “Shape of You.” Childish Gambino won best traditional R&B performance for his song “Redbone,” a 1970s funk throwback that was a surprise hit at radio last year.
The country singer-songwriter Chris Stapleton won two awards in the preshow ceremony: best country solo performance for “Either Way,” and best country song for “Broken Halos,” which Mr. Stapleton wrote with Mike Henderson.
Jason Isbell also won two: best Americana album, for “The Nashville Sound,” and best American roots song, for “If We Were Vampires.” Carrie Fisher won a posthumous Grammy — her first — in the best spoken word album category, for “The Princess Diarist.”
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Chris Stapleton wins and victims of violence are honored
After Mr. Stapleton won best country album for “From a Room: Volume 1,” the country singers Eric Church, Maren Morris and the Brothers Osborne offered a tribute to the victims of violence at music events.
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Ms. Morris began the introduction drawing a connection between the bombing in Manchester, England, last May and the shooting at a country music festival in Las Vegas in October.
“All country music was reminded in the most tragic way,” Mr. Church said, the connection we share with our fans and the healing power of music will always provide.”
As they played a quiet and stripped-down version of Eric Clapton’s “Tears in Heaven,” the names of individual victims were displayed on glowing panels behind them, as if electronic votive candles.
A night of questions new and old.
By the end of Sunday night, the music world will have some answers: Will Jay-Z or Mr. Lamar score a big victory for rap? Will “Despacito” break new ground for Spanish-language pop? Is Bruno Mars the next Adele?
The Grammys are being held in New York for the first time in 15 years. To mark its return, Patti LuPone and Ben Platt (“Dear Evan Hansen”) will perform a Broadway-style tribute to Leonard Bernstein and Andrew Lloyd Webber. But regardless of where the show is held, many of the big questions remain.
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The Grammys, like most awards shows, have been wrestling for years with issues of diversity: ethnic, gender and, in the Grammys’ case, musical. Not so long ago, the show drew eye rolls for over-rewarding elder heroes at the expense of pop’s younger, more vital mainstream. (Think Ray Charles beating Green Day and Kanye West in 2005, or Herbie Hancock defeating Amy Winehouse and, ahem, Mr. West in 2008.)
The Grammys have generally gotten much better at recognizing the pulse of contemporary music. A diverse crop of nominees this year means it is very likely that the winners of the four most prestigious categories — album, record and song of the year, and best new artist — will not be white men.
At the same time, gender is very much still an issue. Lorde is the only woman up for album of the year, facing Jay-Z, Mr. Mars, Mr. Lamar and Childish Gambino. Julia Michaels and Ms. Cara have credits in the song of the year category (which recognizes songwriters). Otherwise, the top nominees are predominantly male. As a new report indicated, gender diversity at the Grammys — and in the music industry at large — has been abysmal.
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The marquee categories have big stars.
The top categories are stacked with popular and critically respected releases. Jay-Z has a chance to sweep with his album “4:44,” a reflective and confessional work that may finally give him an edge with more traditional voters. But for album, record and song of the year, Jay-Z also faces Mr. Mars (“24K Magic”), whom the industry admires as an all-around, lovable entertainer.
For both record and song of the year, Jay-Z and Mr. Mars also face competition from “Despacito,” the flirty ballad from Luis Fonsi and Daddy Yankee (in a remix featuring Justin Bieber) that set streaming records; a win would be perceived as a triumph for the once-again-burgeoning world of Spanish-language pop.
Don’t forget Mr. Lamar, the most respected rapper of his generation. Still, the dark horse may be Lorde, who emerged as a Grammy winner four years ago (“Royals”) and still has broad support in the Recording Academy, the organization that bestows the awards.
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The white roses.
The #MeToo movement holding men accountable for sexual harassment and assault has come to Hollywood, politics and the news media, but its impact on the music world has been minimal. As the Grammys approached, it became clear that aside from the performance by Kesha, the industry had no organized response planned along the lines of the Time’s Up campaign that was front and center at the recent Golden Globes.
That changed just days ago, when a small group of midlevel female music executives called for artists to wear a white rose to the show, as a sign of “hope, peace, sympathy and resistance.” By Thursday, a handful of stars including Lady Gaga and Kelly Clarkson had pledged their support. On Sunday, the group circulated a list of music-industry professionals and artists who had signed on to the effort, adding Pink, Dua Lipa and Lil Uzi Vert, among others.
At the preshow ceremony, several artists wore white roses, although their comments about it were muted. Reba McEntire, the country star, was asked about the white rose on her dress after she won best roots gospel album for “Sing It Now: Songs of Faith & Hope.”
“My message is, I want to treat you like I want to be treated,” Ms. McEntire said. “It’s the golden rule. I think if we did that more often, a lot of these problems would be nonexistent. Let’s just treat people kindly.”
Lisa Loeb, who won best children’s album, said, only half in jest: “I know some people are saying the music industry took a little while to catch up with some of the other industries. But we haven’t had as many awards ceremonies.”
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A preshow controversy.
Hours before the show began, it already had a Trump controversy. On Saturday night, CNN aired an interview with Jay-Z as part of the inaugural episode of “The Van Jones Show,” in which Jay-Z commented on the president’s reported denigration of Haiti and African countries.
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“It is disappointing and it’s hurtful,” Jay-Z said. “Because it’s looking down at a whole population of people and it’s so misinformed because these places have beautiful people and beautiful everything. This is the leader of the free world speaking like this.”
By 8:18 a.m. Sunday, the president fired off his response on Twitter.
A little more than an hour later, Mr. Jones — who is managed by Jay-Z’s company, Roc Nation — wrote on Twitter in response, noting that he did ask Jay-Z about the president’s record on reducing black unemployment, and Jay-Z responded that the issue was about treating people with respect and not, as he put it: “Treat me really bad and pay me well.”
If Jay-Z gets an acceptance speech, eyes will be on him for a response.
And some of the stars at the preshow ceremony seized the opportunity to make political or personal statements.
Residente, a Puerto Rican rapper who founded the influential group Calle 13, won best Latin rock album (for “Residente”). Dedicating his prize “to my country, Puerto Rico,” he spoke about the need to seek out reliable sources of news about the island.
“What’s happening in Puerto Rico is horrible,” he said. “We’ve been without electricity for six months now. Some people are dying because they are not eating well. All of that, I had it in my heart when I won this a moment ago.”
Cécile McLorin Salvant, a Haitian-American singer who won best jazz vocal album, addressed President Trump’s comments about Haiti and Africa. “At some points you have to either laugh or cry,” she said. “I choose to laugh.”
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Paying tribute to stars.
For a year that saw the losses of Chuck Berry, Fats Domino, Tom Petty, Chris Cornell, Chester Bennington of Linkin Park, Malcolm Young of AC/DC and Walter Becker of Steely Dan, expect some notable “in memoriam” tributes.
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There were also tributes out of sight of the cameras. After a 40th anniversary edition of the Voyager Golden Record — the gold discs sent into space containing the sounds of the earth, including Chuck Berry’s “Johnny B. Goode” — won best box set package, Lawrence Azerrad, one of the album’s art directors, commented on the everlasting life of Berry’s music.
“Long after the earth is gone, swallowed up by the sun,” he said, “Chuck Berry’s record will still be floating in space.”
Absent from the stage.
While many stars will pack the stage, the Grammys will also be notable for who isn’t there. Besides Mr. Sheeran, neither Taylor Swift nor Justin Bieber were in attendance.
Jay-Z and Lorde were in the audience but are not expected to perform.
Scheduling, limitations of time and space, and the whims of performers and producers may well account for many of these absences. But in recent years, the Grammys have also faced boycotts from some artists who feel that not enough of the top prizes go to black artists. Frank Ocean stated that in regards to last year’s show.
And while Drake has said that the reason he is not performing is that the Grammys asked him to cancel one of his own shows to appear, he also did not submit his latest “playlist” album, “More Life,” for award consideration.
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New York, New York.
The Grammys have not been in New York since 2003, when the city was still struggling to attract business and tourism after the Sept. 11 terrorist attacks. Since then, the awards’ home has been the Staples Center in Los Angeles, where its deep connections are visible from the bronze plaques on sidewalks around the complex commemorating past winners.
The New York mayor’s office lobbied hard to bring back the Grammys, which, according to some estimates, can yield as much as $200 million in economic benefits for their host city. But tensions have flared in recent weeks, with the Recording Academy accusing the city of not making good on millions of dollars in promised fund-raising.
The show — which for a second time is being hosted by Mr. Corden — made use of New York as a backdrop, but the awards have already committed to the Staples Center for the next four years.
Grammy awards 2018 Grammys awards 2018 – the full list of winners Live updates on the biggest winners from the most important night in music, including best song of the year and best album of the year Grammys 2018 – live coverage
Sign up for Sleeve Notes, our weekly music email Alessia Cara accepts the award for best new artist at the Grammy awards in New York City. Photograph: Kevin Winter/Getty Images for NARAS
Song of the year
Despacito – Luis Fonsi and Daddy Yankee feat Justin Bieber
4:44 – Jay-Z
Issues – Julia Michaels
1-800-273-8255 – Logic feat Alessia Cara and Khalid
That’s What I Like – Bruno Mars - WINNER
Country album
Kenny Chesney - Cosmic Hallelujah
Lady Antebellum - Heart Break
Little Big Town - The Breaker
Thomas Rhett - Life Changes
Chris Stapleton - From a Room: Volume 1 - WINNER
Best comedy album
The Age Of Spin & Deep In The Heart Of Texas - Dave Chappelle - WINNER
Cinco - Jim Gaffigan
Jerry Before Seinfeld - Jerry Seinfeld
A Speck Of Dust - Sarah Silverman
What Now? - Kevin Hart
Best rap album
4:44 – Jay-Z
Damn – Kendrick Lamar - WINNER
Culture – Migos
Laila’s Wisdom – Rapsody
Flower Boy – Tyler, the Creator
Best pop solo performance
Love So Soft – Kelly Clarkson
Praying – Kesha
Million Reasons – Lady Gaga
What About Us – Pink
Shape of You – Ed Sheeran - WINNER
Best new artist
Alessia Cara - WINNER
Khalid
Lil Uzi Vert
Julia Michaels
SZA
Best rap/sung performance
Prblms – 6lack
Crew – Goldlink feat Brent Faiyaz and Shy Glizzy
Family Feud – Jay-Z feat Beyoncé
Loyalty. – Kendrick Lamar feat Rihanna - WINNER
Love Galore – SZA feat Travis Scott
Best dance recording
Bambro Koyo Ganda – Bonobo Featuring Innov Gnawa
Cola – Camelphat & Elderbrook
Andromeda – Gorillaz Featuring DRAM
Tonite – LCD Soundsystem - WINNER
Line Of Sight – Odesza Featuring WYNNE & Mansionair
Best Dance/Electronic Album
Migration – Bonobo
3-D The Catalogue – Kraftwerk - WINNER
Mura Masa – Mura Masa
A Moment Apart – Odesza
What Now – Sylvan Esso
Best Rock Performance
You Want It Darker – Leonard Cohen - WINNER
The Promise – Chris Cornell
Run – Foo Fighters
No Good – Kaleo
Go To War – Nothing More
Best Metal Performance
Invisible Enemy – August Burns Red
Black Hoodie – Body Count
Forever – Code Orange
Sultan’s Curse – Mastodon - WINNER
Clockworks – Meshuggah
Best rock song
Metallica – Atlas, Rise!
K.Flay – Blood in the Cut
Nothing More – Go to War
Foo Fighters - Run – WINNER
Avenge Sevenfold – The Stage
Pop vocal album
Kaleidoscope EP – Coldplay
Lust for Life – Lana Del Rey
Evolve – Imagine Dragons
Rainbow – Kesha
Joanne – Lady Gaga
÷ (Divide) – Ed Sheeran - WINNER
Pop duo/group performance
Something Just Like This – The Chainsmokers and Coldplay
Despacito – Luis Fonsi and Daddy Yankee feat Justin Bieber
Thunder – Imagine Dragons
Feel It Still – Portugal The Man - WINNER
Stay – Zedd & Alessia Cara
Best R&B performance
Get You – Daniel Caesar feat Kali Uchis
Distraction – Kehlani
High – Ledisi
That’s What I Like – Bruno Mars - WINNER
The Weekend – SZA
Best R&B song
PJ Morton – First Began
Khalid – Location
Childish Gambino – Redbone
SZA – Supermodel
Bruno Mars – That’s What I Like - WINNER
Best rap performance
Big Sean – Bounce Back
Cardi B – Bodak Yellow
Jay -Z – 4:44
Kendrick Lamar – Humble - WINNER
Migos feat Lil Uzi Vert – Bad and Boujee
Best R&B album
Freudian – Daniel Caesar
Let Love Rule – Ledisi
24K Magic – Bruno Mars - WINNER
Gumbo – PJ Morton
Feel the Real – Musiq Soulchild
Best country solo performance
Sam Huny – Body Like a Back Road
Alison Krauss – Losing You
Miranda Lambert – Tin Man
Maren Morris – I Could Use a Love Song
Chris Stapleton – Either Way – WINNER
Best country song
Little Big Town – Better Man
Sam Hunt – Body Like a Back Road
Chris Stapleton – Broken Halos - Winner
Midland – Drinkin’ Problem
Miranda Lambert – Tin Man
Best urban contemporary album
6lack – Free 6lack
Childish Gambino – Awaken, My Love!
Khalid – American Teen
SZA – Ctrl
the Weeknd – Starboy – WINNER
Best music video
Up All Night – Beck
Makeba – Jain
The Story of OJ – Jay-Z
Humble – Kendrick Lamar - WINNER
1-800-273-8255 - Logic ft Alessia Cara & Khalid
More winners to be announced...
Janelle Monae opened a poignant “Time’s Up” segment during the 60th Grammy Awards with an impassioned call to action on the importance of equality and unification in the music industry. One of the top nominees, Kendrick Lamar, has tallied five wins so far. Lamar, who opened the telecast with a searing performance, has won in the rap/sung performance and rap album categories. Earlier in the day his work was recognized in the music video, rap performance and rap song categories. Other highlights include Childish Gambino’s smoldering set and Alessia Cara’s win in the new artist category. Just as memorable over on the red carpet was Joy Villa, who once again made a statement with her dress — this time emblazoned with an image of a fetus. The performance-heavy main event is being hosted by James Corden.
