Drama Korea ‘Vagabond’ Bakal Berakhir, Ini 3 Hal yang Perlu Diperhatikan Penonton
TRIBUNJOGJA.COM - Menjelang episode terakhir ‘Vagabond’ pihak produksi Celltrion Entertainment telah menyiapkan beberapa kejutan dan plot twist bagi para penonton.
Adapun hal-hal yang perlu Anda perhatikan jika mengikuti cerita drama korea tersebut.
Drama 'Vagabond' berhasil menggambil slot penonton tertinggi untuk serial akhir pekan.
Seperti yang diketahui oleh pencinta drama Korea, 'Vagabond' hanya tersisa 4 episode lagi untuk menguak siapa pelaku peledakan pesawat.
'Vagabond' merupakan film thriller aksi spionase baru tentang Cha Dal Gun (diperankan oleh Lee Seung Gi) yang memulai upaya untuk mengungkap kebenaran tersembunyi di balik kecelakaan pesawat misterius.
Dal Gun merasa ada sesuatu yang janggal berkaitan dengan kecelakaan itu.
Episode 7 Drama Korea ‘Vagabond’, Pertarungan Semakin Intens (entertain.naver.com)
Tak disangka, ia juga menemukan skandal korupsi besar-besaran diproses.
Upayanya membongkar kebenaran itu membawa Dal Gun bertemu dengan Go Hae Ri (Bae Suzy). Hae Ri bukan perempuan sembarangan.
Ia sebenarnya adalah agen rahasia National Intelligence Service (NIS) yang sedang menyamar di Kedutaan Korea Selatan di Maroko.
tirto.id - Selain pemeran utamanya, drama Korea (drakor) dengan rating tinggi menjadi salah satu pertimbangan bagi pemirsa sebelum memutuskan untuk menontonnya atau tidak. Sebab, meraih rating tinggi, sebuah drakor diperkirakan memiliki jalan cerita menarik lantaran disukai permirsa. Berikut ini rangkuman sederet drama Korea yang pernah mendapat rating tinggi sepanjang tahun 2019. Dari mulai SKY Castle, Encounter, The Last Empress, Hotel Del Luna, hingga Vagabond yang saat ini statusnya masih on going . Januari Drama yang tayang pada Januari 2019 salah satunya adalah drama SKY Castle . Drama ini tayang di JTBC dan berhasil memperoleh rating tinggi, yakni pernah mencapai rata-rata hingga 22,3 persen. Sementara, drama The Last Empress yang juga tayang pada Januari 2019 di SBS, berhasil memperoleh rating 11,8 persen dan 14, persen untuk masing-masing episde. Sementara, drama Song Hye Kyo dan Park Bo Gum, Encounter yang tayang di tvN pernah memperoleh rating tinggi dan cukup stabil, yakni 7,5 persen. Adapun, drama kolosal di t vN, The Crowned Clown yang dibintangi Yeo Jin Goo, berhasil memperoleh rating tinggi, yakni rata-rata 8 persen, dan tertinggi mencapai 9,4 persen untuk episode yang tayang pada 14 Januari 2019. Sementara, drama MBC, Less Than Evil berhasil memperoleh rating rata-rata 5,6 perse dan 6,8 perse untuk masing-masing episode yang tayang pada 14 Januari 2019.
Februari Pada bulan Februari 2019, sejumlah drama Korea yang tayang memperoleh rating tinggi di antaranya adalah drama Liver or Die yang tayang di KBS2 , di mana drama ini pernah memperoleh rating rata-rata 13,1 persen dan 14,8 persen untuk masing-masing episode. Selain itu, drama The Last Empress yang tayang masih tayang pada Februari, kembali berhasil memperoleh rating tinggi, yakni rata-rata 12,4 persen dan 14,6 persen untuk masing-masing episode. Sementara, drama Haechi episode perdana yang tayang MBC berhasil meraih rating 6 persen dan 7,1 persen untuk masing masing episode. Adapun, drama The Crowned Clown yang tayang di tvN berhasil meraih rating hingga 8,7 persen, sedangkan drama The Light In Your Eyes yang tayang di JTBC pernah memperoleh rating 5,8 persen.
Maret Pada bulan Maret, drama My Only One yang juga tayang di KBS2 berhasil memperoleh rating yang sangat tinggi, yakni 44,1 persen dan 49,4 persen. Adapun, drama Liver or Die di KBS2 juga memperoleh rating yang tinggi, yakni rating rata-rata 18,4 persen dan 20,4 persen untuk masing-masing episode. Sementara, drama Mother of Mine yang menayangkan episode perdananya pada Maret 2019 di KBS2 berhasil memperoleh rating rata-rata sebesar 22,6 persen dan 26,8 persen. Sementara, episode terakhir The Crowned Clown yang tayang pada 4 Maret 2019 di tvN, berhasil memeperoleh rating 10,9 persen dan 12,8 persen.
April Pada bulan April, drama akhir pekan, Mother of Mine yang tayang di KBS2 berhasil memperoleh rating hingga 26,3 persen dan 32,1 persen untuk masing-masing episode. Selain itu, drama The Fiery Priest yang tayang di SBS pernah berhasil memperoleh rating 16,7 persen dan 20,3 persen untuk masing-masing episode. Sementara, drama kolosal Haechi yang juga tayang pada April 2019 di SBS pernah berhasil memperoleh rating rata-rata 7,1 persen dan 7,4 persen untuk masing-masing episode. Adapun, drama My Fellow Citizens berhasil memperoleh rating rata-rata 5,8 persen dan 7 persen. Sementara, drama Special Labor Inspector, Mr. Jo berhasil memperoleh rating 5,5 persen dan 6,7 persen.
Mei Pada bulan Mei, drama kolosal Nokdu Flower yang dibintangi Jo Jong Suk di SBS pernah memperoleh rating rata-rata 8,1 persen dan 9,1 persen untuk masing-masing episode. Sementara, drama Special Labor Inspector, Mr. Jo yang tayang di MBC setiap Senin dan Selasa pernah mendapat rating 6,8 persen dan 7,7 persen. Adapun, pada bulan yang sama, My Fellow Citizens di KBS2 berhasil memperoleh rating 5 persen dan 6 persen untuk masing-masing episode. Selain itu, drama Angel’s Last Mission: Love yang tayang perdana pada 23 Mei 2019 di KBS2 berhasil meraih rating rata-rata 6,6 persen dan 8,6 persen untuk masing-masing episode. Juni Pada bulan Juni 2019, drama akhir pekan Mother of Mine di KBS2 tetap menjadi drama dengan rating tertinggi, yakni rata-rata sebesar 26,7 persen dan 31,8 persen untuk masing-masing episode. Sementara, drama Arthdal Chronicles yang tayang di tvN pernah berhasil memperoleh rating rata-rata sebesar 7,2 persen, dan yang tertinggi mencapai 8,1 persen. Selain itu, drama Angel’s Last Mission: Love di KBS2 lagi-lagi meraih rating tinggi dan juga stabil, yakni rata-rata sebesar 7,6 persen dan 8,1 persen untuk masing-masing episode. Kemudian, drama One Spring Night di MBC yang juga tayang pada Juni 2019 pernah memperoleh rating 6,5 persen dan 7,9 persen. Di sisi lain, drama Search: WWW di tvN berhasil memperoleh rating 3,4 persen dan yang tertinggi 4,2 persen.
Juli Pada Juli 2019, Drama Doctor John yang dibintangi oleh Jisung dan Lee Se Young di SBS berhasil memperoleh rating 8 persen dan 13 persen, dan yang tertinggi hingga 14,7 persen untuk masing-masing episode. Drama Angel’s Last Mission: Love di KBS2 yang masih tayang pada Juli 2019 berhasil memperoleh rating 6,8 persen dan 7,8 persen, kemudian, drama O ne Spring Night di MBC berhasil memperoleh rating 6,2 persen dan 8 persen untuk masing-masing episode. Sementara, drama politik Designated Survivor: 60 Days yang tayang di tvN berhasil memperoleh rating rata-rata 4,4 persen. Sementara, drama di TV kabel lainnya, Moments of 18 di JTBC berhasil memperoleh rating rata-rata 3,4 persen. Agustus Pada bulan Agustus 2019, drama Doctor John di SBS juga memperoleh rating tinggi yakni, 7,3 persen dan 11,3 persen untuk masing-masing episode. Sementara, drama Hotel Del Luna yang tayang di tvN berhasil memperoleh rating 8,2 persen, dan yang tertinggi hingga 9,5 persen. Kemudian, drama Designated Survivor: 60 Days yang tayang di tvN berhasil memperoleh rating rata-rata 6,2 persen, dengan yang tertinggi mencapi 7,9 persen dan menjadi rekor tertinggi untuk drama tersebut. Selain itu, drama Justice di KBS2 berhasil memperoleh rating rata-rata 5,7 perse dan 6,2 persen untuk masing-masing episode. Sementara, drama Rookie Historian Goo Hae Ryung di MBC rata-rata mendapat rating 4,4 persen dan 6,9 persen.
September Pada bulan September, Mother of Mine masih mempertahankan sebagai drama dengan rating tingginya. Mother of Mine pada bulan tersebut pernah memperoleh rating rata-rata 28,4 persen dan 33,2 persen untuk masing-masing episode. Sementara, drama Vagabond yang dibintangi Lee Seung Gi dan Suzy berhasil memperoleh rating 5,8 persen, 8,1 persen, dan 10,3 persen untuk masing-masing episodenya. Sementara, drama Golden Garden di MBC berhasil memperoleh rating 6 persen, 8,8 persen, dan 9,1 persen untuk masing-masing bagiannya. Kemudian, drama Doctor John episode terakhir berhasil memperoleh rating rata-rata 6,7 persen dan 10,2 persen untuk masing-masing episode. Adapun drama Arthdal Chronicles bagian 3, pada episode perdana berhasil memperoleh rating 6,1 persen. Selain itu, drama Hotel Del Luna di tvN yang menayangkan episode terakhirnya pada 1 September 2019 berhasil memperoleh rating tinggi, yakni 12 persen.
Oktober Drama yang tayang pada Oktober, When The Camellia Blooms yang tayang di KBS2 berhasil memperoleh rating stabil dan juga tinggi, yakni 11 persen dan 13,4 persen untuk masing-masing episode. Sementara, drama Graceful Family yang tayang di MBN berhasil memperoleh rating tertingginya, yakni 8 persen. Dengan rating tersebut, Graceful Family menjadi program acara dengan rating tertinggi di MBN, sejak saluran TV tersebut dibuat. Kemudian, drama The Tale of Nokdu yang tayang di KBS2 berhasil memperoleh rating 5 persen dan 6,6 persen utuk masing-masing episode. Sementara, menurut Nielsen Korea, Vagabond episode 12 yang tayang pada 26 Oktober 2019 berhasil memperoleh rating rata-rata 11,6 persen, 9 persen untuk masing-masing bagian, serta 11,9 persen untuk wilayah metropolitan Seoul.
TRIBUNLAMPUNG.CO.ID - Buat penggemar Choi Si Won, yuk simak, cara unduh atau download drakor Revolutionary Love full episode disertai terjemahan atau subtitle bahasa Indonesia (sub Indo), dalam download drakor Indo terpopuler.
Simak juga cara nonton online lewat streaming Revolutionary Love di HP atau ponsel.
Bagaimana sinopsis Revolutionary Love?
Drama korea Revolutionary Love adalah serial drama korea terbaru 2017.
KDrama Revolutionary Love ditayangkan mulai 14 Oktober 2017 oleh channel TVN untuk menggantikan serial drama Live Up to Your Name.
Rencananya serial drama Korea ini akan ditayangkan sebanyak 16 episode.
Drama korea Revolutionary Love ini dibintangi oleh salah satu anggota boyband Super Junior, yakni Choi Si Won.
• Legend of the Blue Sea Sub Indo, Download Drakor Indo Full Episode dan Nonton Online (Streaming)
• Vagabond Sub Indo, Download Drakor Indo Full Episode dan Video Nonton Online (Streaming)
Choi Si Won memainkan peran sebagai pemuda kaya keturunan keluarga chaebol (keluarga kaya).
Ia sedang menyembunyikan latar belakangnya di lingkungan yang baru.
KDrama Revolutionary Love juga bakal menampilkan aktris yang tak kalah populer dari Choi Si Won yakni aktris cantik Kang So Ra.
'Vagabond' episode 11 and 12 saw Cha Dal-geon (Lee Seung-gi) and Go Hae-ri (Bae Suzy) come up with an intelligent plan with the help of Gi Tae-ung (Shin Sung-rok) and Gang Joo-Cheol (Lee Ki-young) to distract Min Jae-sik (Jeong Man-sik). The episodes center on Hae-ri and Dal-geon finding a way to bring Kim Woo-gi (Jang Hyuk-jin) to the court to testify as to who really planned the attack on the plane. Both Dal-geon and Hae-ri escaped with Woo-gi from Morrocco with Dynamic CEO Edward Park's (Lee Kyoung-Young) help. They got onto a ship, away from Jae-sik's men, but to be able to produce Woo-gi in court, they would have to make sure that Jae-sik is unaware of their exit plan.
The fact that Jae-sik believes that Joo-Cheol is dead, plays in Hae-ri and Dal-geon's favor. Tae-ung is also pretending to take orders from Jae-sik to make sure that he has inside information, so the counterplan to Jae-sik's plan looks promising on paper. However, what team Dal-geon forget is the fact that Jae-sik is a smart and a sharp man. With just the clue of the time on Hae-ri's watch, Jae-sik figures out the location where she is hidden. Despite there being multiple counter plans, Jae-sik figures out that Dal-geon, Hae-ri and Woo-gi will arrive at Seoul through the port at Incheon.
A shooting ensues at the port as Jae-sik tries to kill Hae-ri, Woo-gi and Dal-geon, but things don't go according to plan. Dal-geon manages to escape Jae-sik and his men with the help of Tae-ung and Joo-cheol. Until the moment the three reach the court steps, their lives are put on the line and even beyond it, there are forces that are trying to stop the truth from surfacing at the court.
From the President Jung Kook-Pyo (Baek Yoon-Sik) who is being bribed by John and Mark to sign the deal to procure fighter planes from them to the president's senior secretary Yun Han-Ki (Kim Min-Jong), who under the covers with the help of Shadow orchestrated the entire plan of covering up the attack on Dynamic's plane and even Jessica Lee (Moon Jeong-Hee) - the higher powers are at play in stopping Dal-geon and Hae-ri. They even try to get the Chief Justice on their side to control the judge on the civil suit to get a ruling in their favor. The sitting judge on the case, however, turns out to be a sincere man who allows time to make sure that Woo-gi can take the stand.
However, it remains to be seen if Woo-gi will tell the truth on the stand. Even if he did tell the truth, there is still possibility that Jessica Lee and Shadow try to manipulate the case in their favor. Will Dal-geon and Hae-ri succeed in bringing the truth about the plane crash to light? That is something we would have to watch in the upcoming episodes 13 and 14 of 'Vagabond' which can be streamed on Netflix on Friday and Saturday respectively.
If you have an entertainment scoop or a story for us, please reach out to us on (323) 421-7515
Cada lunes me alegran la existencia. Buscan las canciones peleándose con las ausencias de las Musas. Tienen alma, mucho corazón, un talento muy particular para componer melodías, para contarnos historias, expresarnos sentimientos. Todo emoción. Nos cantan que la belleza es temporal, que los espaldas mojadas las pasan canutas en busca del paraíso anunciado, que todo sigue igual o que viven un momento extraordinario... Pasado mañana tendremos a Gaby Moreno en el programa. Y esta noche The Delines actuarán en el Café Berlín de Madrid.
DISCO 1 THE STRAITJACKETS Yeah Yeah Yeah (2)
DISCO 2 NICK LOWE Poor Side Of Town (7)
DISCO 3 GRAHAM PARKER Temporary Beauty (1)
DISCO 4 ABRA MOORE Throw A Penny (6)
DISCO 5 JOSEPH NYE (PERDEDOR - 8)
DISCO 6 DAVINA AND THE VAGABONDS Little Miss Moonshine (4)
DISCO 7 GABY MORENO & VAN DYKE PARKS & Jackson Browne Across The Borderline (1)
DISCO 8 BOB SEGER & The Silver Bullet Band Still The Same (6)
DISCO 9 LONGBRANCH PENNYWHISTLE Run, Boy Run (2)
DISCO 10 MANDY MOORE Extraordinary (1)
DISCO 11 ANDREW COMBS Save Somebody Else (4)
DISCO 12 JOE JACKSON Right Or wrong (2)
DISCO 13 FOUNTAINS OF WAYNE Hey Julie (9)
DISCO 14 WARD HAYDEN & The Outlies Hackensack (1)
DISCO 15 THE DDELINES Eddie & Polly (6)
© Richard Shotwell/Invision/AP/Shutterstock
Robert Evans, the Paramount executive who produced “Chinatown” and “Urban Cowboy” and whose life became as melodramatic and jaw-dropping as any of his films, died on Saturday night. He was 89.
Even though Hollywood history is filled with colorful characters, few can match the tale of Evans, whose life would seem far-fetched if it were fiction. With his matinee-idol looks but little acting talent, Evans was given starring roles in a few movies and then, with no studio experience, was handed the production reins at Paramount in the 1960s. When he left the exec ranks, his first film as a producer was the classic “Chinatown,” and he followed with other hits, like “Marathon Man” and “Urban Cowboy.” Eventually, his distinctive look and speaking style turned him into a cult figure, and he had the distinction of being the only film executive who starred in his own animated TV series.
His life was a continuous roller-coaster. Amid the successes, Ali MacGraw left him for Steve McQueen, her costar in the 1972 “The Getaway,” a love triangle that got huge media attention. (MacGraw was the third of Evans’ seven wives.) In 1980, Evans was arrested for cocaine possession and a few years later, was involved in an even bigger scandal: the murder of would-be Hollywood player Roy Radin during the production of “The Cotton Club.” Due to his association with Radin, Evans became a material witness in the execution-style slaying, though no proof of Evans’ knowledge of or connection to the murder was ever established.
Drug dependency and the studios’ changing corporate culture plagued Evans’ later career. When he eventually resurfaced at Paramount in the ’90s, his production track record was mostly undistinguished (“The Saint,” “Sliver”). But by then his larger-than-life persona was already the stuff of Hollywood legend. Evans parodied himself in the film “Burn, Hollywood, Burn” (1998), and Dustin Hoffman, a longtime friend, borrowed liberally from Evans in creating the character of an outrageous producer in the 1997 satire “Wag the Dog,” earning an Oscar nomination in the process.
Evans was born Robert Shapera in New York. Before the age of 18 he had worked on more than 300 radio shows and the occasional TV show and play. A collapsed lung forced him to recuperate for a year, and when he returned, he realized he’d lost his momentum. He worked his charms as a salesman at the sportswear firm Evan-Picone, co-founded by his brother Charles.
Several years later, however, his show business career was revived: In the perhaps apocryphal tale, he was spotted by the pool of the Beverly Hills Hotel by actress Norma Shearer, who asked him to played her deceased husband, the legendary MGM exec Irving Thalberg, in the film “The Man of a Thousand Faces.” Darryl Zanuck then cast him as a bullfighter in the 1957 version of Ernest Hemingway’s “The Sun Also Rises.” The other actors pleaded with Zanuck to replace Evans, but Zanuck sent a telegram saying “The kid stays in the picture,” which provided the title for his eventual autobiography. Evans’ dark good looks carried him only so far, however. His stiff onscreen presence in those movies and in “The Fiend Who Walked the West” (1958) and “The Best of Everything” (1959) did not warm the hearts of reviewers, however, and he returned to the garment industry.
After Evan-Picone was sold to Revlon (netting Evans $2 million, according to some sources), he decided to return to the industry in a producing capacity. He purchased the rights to a novel, “The Detective.” New York Times reporter Peter Bart chronicled Evans’ tale in an article that caught the attention of Fox executives Richard Zanuck and David Brown, who put him in charge of such projects as “Achilles Force” (which was never made) and “The Detective,” starring Frank Sinatra. But his stay at Fox was brief.
He befriended and charmed Charles Bluhdorn of Gulf & Western, which owned Paramount Pictures. The born salesman recognized another born salesman when he met him. In 1966 Bluhdorn controversially named the neophyte Evans VP in charge of production. By 1969 he was exec VP of worldwide production.
Evans’ early Paramount tenure included such monumental flops as “Paint Your Wagon” and “Darling Lili,” which were Bluhdorn’s pet projects. Evans oversaw disappointments including “Catch-22” and the 1974 “The Great Gatsby.”
But they were more than offset by Evans’ successes, starting with “Rosemary’s Baby” (1968), “Romeo and Juliet,” “Goodbye, Columbus,” “Love Story” and “The Godfather” films. The degree to which he personally deserved credit for any of these has always been debated, and even Evans claims that some of the best decisions made during his tenure, particularly with respect to “The Godfather,” were arrived at over his objections.
Evans hired Bart at Paramount; Bart eventually joined Variety in 1989, and profiled Evans in his 2011 book “Infamous Players: A Tale of Movies, the Mob, (and Sex).”
As a studio ambassador Evans was a success. His attention to day-to-day production, however, soon deteriorated, exacerbated by his public divorce from MacGraw and growing cocaine dependency. He clashed openly with Francis Ford Coppola on “The Godfather” (and was slighted by Coppola when he accepted his screenplay Oscar). After Barry Diller was brought in over him in 1974, Evans eased into a producing deal. His first crucible was “Chinatown,” a tempestuous but ultimately successful enterprise that was nominated for 11 Oscars.
After that Evans started to slowly go downhill even as a producer. Thriller “Marathon Man,” starring Dustin Hoffman, was a hit in 1976, and 1977’s “Black Sunday” did OK but did not live up to expectations. His tennis drama “Players” (starring MacGraw) was a flop, and neither “Urban Cowboy” nor “Popeye” (both 1980) were big enough hits to restore his golden-boy reputation.
In 1980, at age 50, he was convicted of cocaine possession, during a period when widespread drug use was plaguing the industry and tarnishing its reputation nationally. Evans’ Rat Pack-style behavior was by then quickly falling out of fashion in an increasingly buttoned-down corporate town.
A personal dream, “The Cotton Club,” became a never-ending nightmare, taking up several years of Evans’ life and almost $50 million. The hybrid of music and gangsters found Evans begging Coppola to take over the reins. The results were uneven but artistically interesting; the production was tied to underworld money and, in attempting to raise more funds for the film, Evans became involved with Radin, whose murder seemed to be a case of life imitating art. The scandal cast a large shadow over Evans that he never successfully overcame. “The Cotton Club,” released by Orion Pictures in 1984, went down in flames.
Evans planned to make an acting comeback in 1985 in “The Two Jakes,” a sequel to “Chinatown” to be directed by Robert Towne (who wrote the original). But he had not grown as an actor and, soon after production began, Evans was fired. The film was shut down, only to be revived in 1990 under the direction of Jack Nicholson, who co-starred with Harvey Keitel. Evans was distanced from the sequel, which was a failure.
He returned to Paramount in the early ’90s as a producer, but the salacious “Sliver” (1993) and “Jade” (1995) were both significant failures. The comicbook-like “The Phantom” (1996) also sank without a trace. In 1997 Evans produced “The Saint,” based on the long-running TV espionage-adventure series. He’d been nurturing the project for several years and hoped the film would be the first entry in a franchise. But the movie, starring Val Kilmer, didn’t turn out as well as expected and the sequels never came to pass.
His private life once again made the headlines when Evans’ name was mentioned among the customers for Hollywood madam Heidi Fleiss’ service. An entire chapter on his sexual habits was detailed in the salacious and hyperbolic book “You’ll Never Make Love in This Town Again.” Evans had already published a frank memoir of his life, 1994’s “The Kid Stays in the Picture,” admitting some of his virtues and his vices.
In 1998 Evans suffered a stroke that left him paralyzed on one side and unable to speak, but he eventually made a full recovery after much therapy.
He made a triumphant return in some sense with the 2002 documentary adaptation of “The Kid Stays in the Picture,” directed by Nanette Burstein and Brett Morgen, in which Evans idiosyncratically discussed his life.
Taking advantage of the increased exposure, he exec produced “Kid Notorious,” a 2003 animated series based on his unique persona for Comedy Central. The same year he produced the successful romantic comedy “How to Lose a Guy in 10 Days.”
Evans maintained an office on the Paramount Pictures lot, and continued to develop projects, though none came to fruition: He had long planned a movie based on the renegade car builder John DeLorean, written by James Toback to be produced with Brett Ratner; he also had in development a sci-fi movie set in a futuristic Manhattan and based on a graphic novel, “NYC2123”; “Whip Smart,” the story of a young dominatrix to be directed by Catherine Hardwicke; and a superhero film, “Foreverman,” based on an original character created by Stan Lee and to be produced with Lee.
He was married and divorced seven times, first to actress Sharon Hugueny, then to actress Camilla Sparv and, after his divorce from MacGraw, to former Miss America Phyllis George. His brief 1998 marriage to actress Catherine Oxenberg was annulled. Thereafter he was married to Leslie Ann Woodward and Victoria White.
He and MacGraw had a son, Josh, an actor and director. Survivors also include a grandson.
Related slideshow: In Memoriam 2019: Remembering the stars we lost (Provided by Photo Services):
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